An observation about "Modern" classical music.


As I sat in my car, waiting for my wife as usual, I listened to a local classical music station which happened to be playing some "modern" music. I don't like it, being an old fart who likes Mozart and his ilk. But, as I had nothing else to do, I tried to appreciate what I heard. No luck, but I did notice something I have experienced before but never thought about. At the end, there was a dead silence of 3 to 5 seconds before audience applause. This never happens with, for example, Mozart where the final notes never get a chance to decay before the applause and Bravos. Obviously (IMHO) the music was so hard to "follow" that the audience were not sure it was over until nothing happened for a while.

I know that some guys like this music, but haven't you noticed this dead time? How do you explain it?
eldartford
As far as modern classical music, I am referring to the new stuff - not the early to mid 20th century stuff. I enjoy and can relate to Copland - I enjoy John William's compositions for different movies and other composers. I even like some of the new stuff that sounds like it came from outer space (unfortunately, I can't relate since I'm living here on earth), and therein lies the rub. I could / can relate to Beethoven's pain, darkness, and triumph.

I know there is value in modern music, and I have no doubt that they each have structure for their music. I might give it a better effort. I really have not given it a fair shot since I don't listen enough to really see if I can connect.

But am I the only one who feels that everything has been exhausted by the previous composers, and that's why the modern composers have to make weird patterns and harmonies and keys just to do something different? They can't just use the circle of 5th's and relative minor/major. They have to venture way out there to come up with something original, but do they go so far out that they lose their audience? What other choice do they have?

As a piano player once told me, we need a renaissance of the arts.

Rob
Of course, in his day Beethoven was considered dissonant and unlistenable. Maybe in a few hundred years I can learn to like modern music.
Eldartford: Check out "Twentieth Century Music" by Eric Salzman. Perhaps a good place to start... Tell us what you think, I'm very interested to know. It might bore you to tears, but give it a shot if you have some spare time.

It's true that dissonance used to be defined far more broadly. Back in the middle ages, a perfect 4th was considered really out there. It's standard now. Who knows what will happen in the future?
Rob,,,i actually felt the same way about Woody Allen movies...I felt they were too much intellect and not enough emotion or candor.
LOL Jsujo.

I guess it's worth venturing out of what is familiar. Classical music always takes an effort to listen to in order to appreciate. Active listening and understanding just makes the emotions stronger. So, because of this thread I'm going to make an effort. I feel with all of the posts, I realize that my approach towards the new stuff is what caused me to be critical. When I heard Beethoven's 9th Symphony for the first time, I remember thinking why if everyone so thrilled about this. It wasn't until several years later when I better understood what was going on that I realized what was great. And it has it's flaws no doubt.

Thanks All.

Rob

Rob