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Why aren't all CDs created equally?

The best part of my system upgrade, over this past year, is listening to music and hearing things (differently) for the very first time. You guys know the deal. I don't have to go there. What kills me, however, maybe more so now, then before, is that poor CDs are still poor--their inherent weaknesses even more highlighted. It's hard for me to get past the inadequacies of many CDs and just try to get into the music. I guess, the problem is, that after listening to, ie. Patricia Barber's CDs (which highlight what I've been trying to capture in my system) contrasted to a ho hum recording (which there are, frightfully, more) takes the wind out of my sails. I've paid a lot of money (for me that is) for those extended airy highs and, you know the rest, but they're just not there regardless of the system on many poorly recorded CDs. You can't listen to what's not there. The guys in the recording studios can't have tin ears, can they? Don't they hear what I hear? Perhaps the mass market really doesn't give a shit. I just don't get it. It's very frustrating. For older (jazz particulary) recordings and the like, I'm much more tolerant (though still frustrated by the poor sound), but new stuff? Anybody else relate? Can you suggest a good audio shrink to help me let go of this problem? Thanks in advance, guys...warren
P.S. And another corallary problem: when I get a shitty recording, (say, purchased from Tower Records) they don't let you return them anymore, due to the burning in thing. You used to be able, even after months, with a receipt, to return CDs. I get Beth Ortons new CD home, (Daybreaker-want to check her out) can't stomach the first four tracks. It's over. Her voice is so shrilly sounding and the music poorly recorded ( to my taste) I might as well chuck the Cd in the garbage. I'll give her a try again, but it's still very frustrating not being able to return it for an exchange. Anybody know where I buy CDs and return them, after being played, for credit toward other purchases? Sorry for all this rambling...
128x128warrenh

Showing 1 response by davehrab

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davehrab
380 posts
 
Musicans seem more concerned with the message in their performance, then how their performance sounded. I'm not saying they don't care how their performance sounds, most do, only it is secondary to the message.

Audiophiles seem more concerned with how the performance sounds, then the message. If it sounds GOOD a audiophile will listen to it. This is why an audiophile will listen to a wider variety of music, and require the ultimate from his play back system. How many of you listen to jazz, rock, and pop, also enjoy rap, funk, hiphop, and classical??

Do the musicans know what we crave and why, and do we (audiophiles) understand what they are trying to share with us???

What this has to do with warrenh's post I don't know. Try beveling and greening the edges. Also Revel works great to remove the mold release agent they use to get the discs to come out of mold. Then your favorite optical optimizer (I use LAT internationals C-diamond, its also an antistatic agent). Don't forget to degauss when finished. If you don't have these resources at your disposal I do. I live in CT. short hop from NYC. Email me

Some see the glass half full. Some see the glass half empty. I think the FREKIN glass is just too big!
Dave
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