What makes for a GOOD turntable.


Why is it my Music Hall MMF5 has a project tonearm and why is it the Project 9.1's motor isnt attached to the TT platter isnt that an accident waiting to happen? And why are there some mnay different opinions about whats right and whats wrong?

Basically high audio is a hobby where you can waste alot of hard earned money when all some people want to good solid equipment.

I am determined to find the truth what really makes a GOOD TT? I dont need the latest and greatest because one the prices are insane and your not even paying for the quality of the TT your paying the engineers salary who stayed up late thinking of the next big time under pressure from the marketing team.

So with that said what makes a GOOD TT. And please no suggestions over say $2500 cause that i just dont agree with.
128x128thegoldenear

Showing 1 response by atmasphere

Here is a list of things to look for:

1) a robust drive (apparently, can be idler, belt or direct, if done right).
2) absolutely *no* bearing play (slop) or flexibility between the platter and the cantilever of the cartridge
3) in support of #2, the plinth where the platter bearing is mounted will be the same part as where the tone arm is mounted, and will be a rigid, non-resonant material. Rigidity between the platter bearing (which supports the platter) and the base of the arm is paramount.
4) the platter will be rigid and non-resonant
5) the platter pad will be energy absorptive, and ideally the same durometer of hardness as vinyl so that it does not depress as the needle passes over it, but does absorb all frequencies originating on the surface of the vinyl.
6) suspension is optional, if not suspended accommodation for that will be needed in the equipment stand. If suspended, will be damped so that oscillations die quickly.

I've stayed out of tone arm mention for the most part but obviously the arm plays a huge role and is part of the bearing system between the platter bearing and the cartridge cantilever.