To me the EI 12AX7 is the best production tube of this type (less colored, more defined and extended, cleaner), though I've never tried the new Svetlana's. I have found the newer shiny-plate ones to be as good as the older gray-plate ones. For high-gain stages, like a phono input amplifier, you'll have to go through several of these tubes to find one or two having acceptably low noise and microphonics. But for less critical stages, which is what I'll assume you're dealing with here since you've substituted NOS 5751's, the rejection rate should be within reason. (BTW, the ECC83 is the same tube for these purposes, but the 5751 is not quite - it has less gain, for one thing.)
Tube ---- Ei 12ax7
Does anyone have experience with these tubes?
I have a Jolida JD-100 and experimenting with tubes. I think I want to try these tubes next, but before I plunk down my cash for these bottles I thought I might ask for experiences or opinions.
So far I have tried.....
EH 12ax7
Vintage RCA 5751 triple mica black plates
JAN GE 5751 grey plates
Its somewhat of a tossup right now between the RCA 5751s and the EH 12ax7s.
The RCAs give great bass (for a tube) and smooth dynamic sound with good seperation.
The EH 12ax7s give awesome mids/vocals with a soundstage that goes to the neighbors house, but they are a little bass light.
Any and all inputs are kindly appreciated.
I have a Jolida JD-100 and experimenting with tubes. I think I want to try these tubes next, but before I plunk down my cash for these bottles I thought I might ask for experiences or opinions.
So far I have tried.....
EH 12ax7
Vintage RCA 5751 triple mica black plates
JAN GE 5751 grey plates
Its somewhat of a tossup right now between the RCA 5751s and the EH 12ax7s.
The RCAs give great bass (for a tube) and smooth dynamic sound with good seperation.
The EH 12ax7s give awesome mids/vocals with a soundstage that goes to the neighbors house, but they are a little bass light.
Any and all inputs are kindly appreciated.