Transparency and the two types of speakers


Over my many years in this hobby, I have bounced back and forth between two broad types of sound from speakers. The first type has a great deal of transparency, by which I mean they are very revealing of what comes before them (equipment, recording quality). This is not everyone's definition of transparency, but it's mine, at least for this topic. I used Quad 57's for many years and have owned Thiels and speakers from Green Mountain, all of which possess this quality. Clarity and focus and detail generally go along with this form of transparency. I'm drawn to these qualiities, and I certainly appreciate them when I evaluate components and cables.

I'm also drawn to a different type of speaker, one that creates beautiful sound but is not as transparent to what comes before it. In the past few years, this would include speakers from ProAc and Harbeth. It would also include the Dynaudio Focus 140's I put in my system yesterday, which was the catalyst for starting this thread. The Dynaudios had been in my video system since I got them, replacing the GMA Europas, which I inserted into the main music system in place of my Harbeths. I was aware that the Dynaudios sounded warmer and less focused in the video system than the Euopas had (and boy, they took forever to break in), but this difference was nonetheless quite striking when I put the Dyn's in the music system yesterday. These Dynaudios do not sound like what I recall of the higher-end Dynaudio speakers of the past few years, which have always impressed me as being exceptionally neutral and possessing a fair bit of the transparency I talked about above. The 140s are instead very warm and everything sounds seductively beautiful (in a convincing, musical way) through them. But they have less of the focus, clarity and transparency. I love listening to them and expect they'll stay in the system for a while until I start craving transparency again, which I surely will.

Before you start telling me which speakers I should try in order to get the best of both worlds, let me say that my primary interest in starting this topic was not to ask for advice but to have a conversation about this tradeoff with like-minded audiophiles: is it just me, or is this a tradeoff that others of you are aware of and struggle with?

It's a bit of a review cliche to say, "If I were an ordinary audiophle and music lover, I would opt for [such and such], but as a reviewer, I need a component that is more revealing of associated equipment and... blah blah." But that is the dilemma. I want the former sometimes and the later other times.

By the way, the speakers I am currently using that I mentioned above are not commensurate with the rest of my system in terms of price level and probably quality, and I know this. Right now, I prefer to play with small, relatively inexpensive over-achievers (with a sub) while I figure out where to go next.
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Showing 1 response by stevecham

Drubin. Ahh, (Camina Burana in the background) the eternal dilemna. Perhaps the answer for you will, in some form take, shape to that similar to my current solution: multiple systems. Right now I have two tube based systems and one larger solid state system, each with different sources, amps and speakers. The one commonality in all this is time and phase coherency of the speakers in the form of Meadowlark, Thiel and Vandersteen. This is one area I just refuse to compromise with. But having said that, each system offers something a bit different. I have also been much mre aware of the impact of the source having converted to the gospel that this is the most important part of any system. A poor source will make great speakers sound terrible but a great source can make even cheap speakers sound as good as they can. Also the fact that they are separate parts of the house and have their own separate acoustic space plays a great deal in the perception and experience.

I do wish one system would do it all. But we are flexible creatures when it comes to mood and preference, and I find that I like the solid state and tube systems equally. So it's either bend yourself around you environment or if you can mold your musical environment around you.