To bi-wire or not to bi-wire?


I have 2 pairs of floorstanders that have bi-wire capability: Dali Ikon 6 as FL & FR in my 7.1 a/v system; Polk M50 in my 2.1 PC system.

The manual for the Ikons shows how to bi-wire but makes no recommendation that it be done. The Manual for the M50 doesn't say much about anything. So, no guidance from the manufacturers.

I have read both pros and cons re. bi-wire. There appears to be some consensus that success with bi-wire depends on the particular speakers and the amps they are paired with.

In a previous 5.1 system, I had Wilson Cubs for the front 3. I had the L and R Cubs bi-wired and I could not tell any difference in sound compared to the single wired center Cub. They all sounded equally great.

I would be grateful for any advice.
mmarvin19

Showing 2 responses by eldartford

Musicnoise...If the woofer and tweeter share a common ground wire back to the amp, then, due to the wire's impedance, each driver will see, at its ground reference, some of the signal intended for the other driver. I don't know how significant this is, but it's the best scientific reason I can think of for biwiring. It also implies that only the ground wire needs to be duplicated.
Musicnoise...Your statements about lack of HF hearing are correct, but the conclusion, that HF response of an audio system is unimportant is not correct. Hearing tests for frequency response are done using sine waves. I can't hear a 14KHz sine wave, but I can detect when music is limited to 14KHz. (14 KHz was a while ago and it is probably worse now). In seeking an explanation I have come to believe that the ear senses, not only pressure change, but also the rate of change. This would correspond to steepness of the sound wavefront. A 14KHz tone that is not a sine wave can have a wavefront steepness corresponding to a 20 KHz sine wave. I haven't tried it lately, but supertweeters with response to 40 KHz and higher are audible to some people.