The Truth about Modern Class D


All my amps right now are Class D. ICEpower in the living room, and NAD D 3020 in the bedroom.

I’ve had several audiophiles come to my home and not one has ever said "Oh, that sounds like Class D."

Having said this, if I could afford them AND had the room, I’d be tempted to switch for a pair of Ayre monoblocks or Conrad Johnson Premiere 12s and very little else.

I’m not religious about Class D. They sound great for me, low power, easy to hide, but if a lot of cash and the need to upgrade ever hits me, I could be persuaded.

The point: Good modern Class D amps just sound like really good amplifiers, with the usual speaker/source matching issues.

You don’t have to go that route, but it’s time we shrugged off the myths and descriptions of Class D that come right out of the 1980’s.
erik_squires

Showing 2 responses by lukaske

Mola Mola Kalunga is a Belgian-Dutch product,Made and designed in Belgium. They worked together with the University of Leuven and Brussels. Greath stuff !!! And put them on one of the world’s best speakers: “Ilumnia magister” (Belgium). And you are in the clouds...
most of the Class D amplifiers (Devialet,...), you can find them on é-bay or 2-hands, there is a reason for. For me is Class A,AB, still the best. And bass must sound natural,not “boom,boom”,otherwise, it displaces the other Instruments and holographic listening is excluded.
The gamut M250i monos are greath! My friend have those. These are forever.
off course Gryphon is very good! (Diablo)