technics sl 1200 gae


is there anyone in America who mods this deck to the level of the English timestop evo sl1200? it's great for rock 45's but how do you drag more finesse out of it for lp's
theoriginalthor1
@atmasphere Each you promote one particular arm you have to remind our readers that you are a dealer of that arm, i think it’s a good arm, but TriPlanar is not for everyone and construstion of that "12inch arm is unusual, the arm tower and pivot are two different things, only for this reason you can mount "12inch TriPlanar on GAE. But it’s an exception, because even Technics own EPA "10.5 series does not fit into SL1200GAE, not only a normal "12 inch tonearm like this, because spindle to pivot mounting distance is (304,75mm) is way out of the "plinth" of the GAE.

In my opinion one of the best arm for GAE is REED "9 (
205.5mm distance) or "10.5 (236.1mm distance), longer Reed "12 (with 283.8mm mounting distance) can’t be mounted for example. Also i know for sure that many classic "10.5 or "12 inch tonearms are impossible to mount on GAE for the same reason.

GAE is too small turntable for 99% of the "12inch tonearms. 
@chakster
Just so you know, I'm not a dealer for Triplanar. I have two of them- I like them, but I'm not a dealer.

The arm tower allows adjustment of the VTA on the fly. The concept has been copied by VPI, Durand and others so it must work :)

I designed an arm board that allows you to mount longer arms, and while the dust cover can't be used, longer arms like the Reed can.
chakster,

atamasphere has mounted a Triplaner Classic SE on my Technics 1200G TT.  It gives me superb performance. I am happy with it.

At least one member bought a used Triplanar, bought an armboard off ebay, mounted it himself. So the used and DIY route can be taken. Only you limit yourself.

chakster, You are always whinning about the cost of everything. Perhaps if you saved your "nickles" in whatever currency you use, got a 2nd job,and stopped buying 30+ vintage cartridges, multiple TTs, tonearms and phonostages. Just maybe you could join us in the 21st Century.

Please Do Stop whinning  about your poor financial status. Its boring
@nkonor Hey, while "bang for the buck" is indeed my driving factor in audio now, i have modern tonearms at the same price as your TriPlanar (the Reed 3p "12 Cocobolo which is my reference) and paid for expensive modern cartridge too (Zyx Airy III, Zyx Premium 4D etc), so where am i whinning and what do you think am i loosing by trying top vintage cartridges or top vintage turntables? I only share my experience and i’m pretty sure it will help some people (especially those people who are relatively new to high-end) to make the right choice using "bang for the buck" factor and not to be effected by strange philosophy that more expensive is always better! I was effected by this philosophy myself when i started looking for high-end, but prior to this interest in high-end I’ve been using Technics 1200 series for nearly 20 years as a hi-fi.

To get a 2nd job is pretty good idea, i’m up for it
@atmasphere


The arm tower allows adjustment of the VTA on the fly. The concept has been copied by VPI, Durand and others so it must work :)

I like this concept on my Reed, but smooth and precision VTA on the fly available with many nice vintage tonearms like Victor UA-7045/7082, Sony PUA-7, Lustre GST-801, Technics EPA series just to name a few which i like a lot.

I designed an arm board that allows you to mount longer arms, and while the dust cover can’t be used, longer arms like the Reed can.

Everyone can get a ruler to measure pivot to spindle mounting distange and realize how limited is the SL1200 series compared to the SP-10 series which i prefer.

You can always say that everyone can use a custom arm pod near the SL1200 turntable with tonearm of any size (even "16 inch long), but this is not for the people who cares about aesthetics and desing of the equipment.

If your TriPlanar is not covered by the dust cover of the Technics then fluid damper collect dust everyday. I knew it because i’ve been using fluid dampers with my Technics for a long time, this is very bad idea without dust cover (imo).

Honestly i don’t like the idea of having open fluid damper, but it’s just me. I’m pretty sure TriPlanar is a great arm and i was considering one myself along with Kuzma 4 Point, but ended up with Reed 3p "12 Cocobolo with no regret (the most beautiful arm ever in my opinion, and fully adjustable like no other tonearms that i know, even azimuth of the fly).

I must admit that your TriPlanar looks nice on your custom armboard on the SL1200GAE