My impressions mirror those of mikelavigne above. I have Steve's plinths for a 301 and a Technics PL-10 Mk III. The materials did wonders for the sound of my 301. My Technics came with Steve's plinth and it sounds great. Steve is a car guy and his automotive finishes are stunning. I like Steve's plinths more than the OMA slate plinths by a wide margin but have no experience with the other 2 plinths in this comparison.
Technics: PLINTHS: Dobbins, Porter, or Thompson?
Hello,
Trying to decide among Steve Dobbins', Albert Porter's or Christopher Thompson's plinth for my Technics SP10 MkIIa TT. Each person has but a great deal of thought and experimentation into their product.
I'm looking for input, suggestions and opinions --based on experience-- about the best plinth for my listening preferences. They are: musically authentic, neutral, evenly balanced top to bottom and completely transparent.
I prefer to feel that I am being transported to the recording venue than that the musicians are in my listening room. My system is the Aurum Acoustics Integris. The preamp and phono pre are integrated in the Aurum CDP. I plan to use a Reed 12" arm.
Has any of you heard one or more of these plinths in use with an SP10 MkII TT? I am very interested to learn your thoughts and listening impressions.
I've asked, but there are no Thompson or Porter plinths close enough for me to audition here in the Northeast, or have I missed one?
Thanks very much for any help or suggestions you can provide.
Happy Thanksgiving,
David