Sweet Vinyl Sugarcube - I Want It!!!


At the NY Audio Show this past weekend, I got to see and hear the demo of the Sweet Vinyl Sugarcube.  This PC-based stand alone unit is amazing.  Here is what it does:


1.  De-clicks vinyl - and does so completely transparently, and is user-adjustable (more or less filtering of clicks and pops). 

2.  Digitizes vinyl - MP3 through 24/192 resolution.

3.  Locates metadata for LPs being played/digitized, including cover art

4.  Inserts track divisions based on the metadata (wow!).

5.  Compensates for non-RIAA recordings

6.  Plug in apps will do even more, like reducing groove noise.

It inserts in a line-level loop or between your phono preamp and preamp.  It has digital (S/PDIF and USB) outputs as well as analog outputs.


Projected retail is $2500, and they plan a kickstarter campaign soon.


If you spend time digitizing vinyl, this thing is nothing short of a miracle.  I want one so badly I can taste it.


(I am not associated with Sweet Vinyl in any way.)

bondmanp

Sounds like you are all set up for your Sugarcube, thaluza. 


One of the cool features on it allows you to listen to the whole, unfiltered signal, the de-clicked signal, or just the clicks being filtered.  This is important, because, using the de-clicker adjustment knob, you can easily select a level of click-removal that does not also remove some of the music signal.  If you hear any music in the click-only setting, you are overdoing it on the filter.  Simply dial it back until the music is gone, and you have the optimal amount of filtering.  Brilliant!

Are you all suggesting that there is no music in the same frequency range as the ticks, clicks and pops that this device is removing?  

vpi - Nope - all the signal paths you can select are full range. You choose from (1) the unfiltered signal, with all the pops and clicks, (2) the filtered signal, which filters out the pops and clicks - more or less filtering as you adjust the rotary filter knob - or (3) just what the Sugarcube is filtering out. IOW, in this last mode, you can hear only the signal that is being removed by the filter. It is full range, so, if you hear any music while listening to just the signal that is being filtered out, you know that you are actually removing some of the music along with the pops and clicks. The trick is to then reduce the level of filtering, on the fly, until you cannot hear any music when listening to only what the filter is removing. That way, you get the maximum amount of pop & click filtering possible without losing any of the music signal. I hope this explains it. This is one case in which a demo is worth 1000 words.
Bondmanp, Reading the posts in this thread, which mostly come from you, I have to wonder whether you are promoting this product or this company.  Not that there's anything wrong with that, in my opinion, but you might at least admit to it.  You have an intimate knowledge of the product without, supposedly, ever having owned one.  

lewm - I understand your concern, but as I think I made clear above, my only connection with Sweetvinyl is that I committed to be a beta tester for the SC-2 during Sweetvinyl’s Indiegogo campaign. As a contributor, I receive regular email updates from Sweetvinyl which I have shared here. Also, I saw the product demonstrated and spoke with two of the principles of Sweetvinyl at the November, 2016 Chester Group audio show in NYC. Everything about the product I have posted here is based on what I have learned from my communications with the folks at Sweetvinyl. Other than being a paying customer and beta-tester, I have no financial interest in or control over Sweetvinyl. Just as I appreciate it when users of new products post their impressions here on Audiogon, I am trying to share my experience and excitement about this product with the audio community.


Perhaps what raises suspicion is my extreme enthusiasm for the Sugarcube. You got me there! After 10 years of using a pro-sumer CD recorder to digitize my LPs, I am only about half way done, and the process is difficult. I currently have to insert track divisions on the fly using the recorder’s remote. If I miss, I can either start over again or live with it. Then there is the process of manually typing in much of the metadata after ripping the CD-R onto my server. And, then there are the clicks and pops that still annoy even after a good vacuum cleaning. The Sugarcube promisses to solve all three of these issues with a turnkey dedicated box that does not require the use of a computer and a handful of applications. If it works, it will speed up the process, produce cleaner, higher-res digital files of my LPs, and make organizing them on a server easier. So, am I excited? Heck yes! Sorry if I come across as a shill, but I am really enthusiastic about this product, which, I feel, is a new product category. I have taken a lot of flak from others who are committed to using a bunch of computer programs to accomplish what the Sugarcube will do, but none of these programs do what the Sugarcube can do without a lot of digital editing of the recorded files. The Sugarcube automates the click & pop removable (and it’s adjustable), automatically inserts track divisions, and automatically pulls down meta data from the web.


BTW, most of this info is on the Sweetvinyl.com web site and the Indiegogo.com web site. At Indiegogo, just search for Sugarcube, and read through the page and the updates.


As for me seeming to be alone in posting, that is likely because there are only 100 SC-2 beta units being produced, and perhaps the other 99 beta testers are not active on Audiogon. Who knows? It does seem that some of the Indiegogo campaign purchasers are located outside the U.S., too.


Hey, it’s an Indiegogo thing, so I might end up with nothing, or with a unit that doesn’t deliver as promissed. That’s the risk I took after seeing/hearing the demo. It is already 4 months overdue, but as I said to Dan Eakins of Sweetvinyl, I’d rather have it right, than right now. So, even though I may end up with a paperweight, or a product that does not deliver what was promissed (and with very little recourse, according to Indiegogo policy), I remain fairly optimistic.