Speaker Spike Philosophy


This is a learning exercise for me.

I am a mechanics practitioner by training and by occupation, so I understand Newton’s Laws and structural mechanics and have a fairly effective BS-detector.

THE FOLLOWING THINGS PUZZLE ME, and I would be glad to hear from those who believe they understand so long as the responses are based on your actual experience or on sound mechanical arguments (or are labeled as conjecture). These are independent questions/musings, so feel free to weigh in on whichever ones you want, but please list the number(s) to which you are responding:

  1. Everything I have read recently ("Ask Richard" (Vandersteen) from 15 Feb, 2020, for instance) seems to indicate that the reason for speaker spikes is to hold the speaker fixed against movement induced by the drivers. I have seen in the past other explanations, most employing some use of the term "isolation" implying that they decouple the speaker (from what?) Evidently the "what?" is a floor that is fixed and not moving (let’s assume concrete slab foundation). So to decouple the speaker from the floor, which is fixed, is to . . . allow it to move (or not) as it wishes, (presumably in response to its drivers). These two objectives, "fixity" and "isolation" appear to me to be diametrically opposed to one another. Is the supposed function of spikes to couple the speaker to "fixed ground" so they don’t move, or is it to provide mechanical isolation so that they can move (which I do not think spikes actually do)? Or, is it to somehow provide some sort of "acoustic isolation" having to do with having some free space under the speaker? Regarding the mechanical isolation idea, I saw a treatment of this here: https://ledgernote.com/blog/q-and-a/speaker-spikes/ that seemed plausible until I got to the sentence, "The tip of a sphere or cone is so tiny that no vibration with a long waveform and high amplitude can pass through it." If you have a spike that is dug into a floor, I believe it will be capable of passing exactly this type of waveform. I also was skeptical of the author’s distinction between *speaker stand* spikes (meant to couple) and *speaker* spikes (meant to isolate/decouple, flying in the face of Richard Vandersteen’s explanation). Perhaps I am missing something, but my BS-detector was starting to resonate.
  2. Spikes on the bottoms of stands that support bookshelf speakers. The spikes may keep the the base of the stand quite still, but the primary mode of motion of such speakers in the plane of driver motion will be to rock forward and backward, pivoting about the base of the stand, and the spikes will do nothing about this that is not already done by the stand base without spikes. I have a hard time seeing these spikes as providing any value other than, if used on carpet, to get down to the floor beneath and add real stability to an otherwise unstable arrangement. (This is not a sound quality issue, but a serviceability and safety issue, especially if little ones are about.)
  3. I have a hard time believing that massive floor standers made of thick MDF/HDF/etc. and heavy magnets can be pushed around a meaningful amount by any speaker driver, spikes or no. (Only Rigid-body modes are in view here--I am not talking about cabinet flexing modes, which spikes will do nothing about) "It’s a simple question of weight (mass) ratios." (a la Holy Grail) "An 8-ounce speaker cone cannot push around a 100/200-lb speaker" (by a meaningful amount, and yes, I know that the air pressure loading on the cone comes into play as well; I stand by my skepticism). And I am skeptical that the amount of pushing around that does occur will be affected meaningfully by spikes or lack thereof. Furthermore, for tower speakers, there are overturning modes of motion (rocking) created by the driver forces that are not at all affected by the presence of spikes (similar to Item 1 above).
  4. Let’s assume I am wrong (happens all the time), and the speaker does need to be held in place. The use of feet that protect hardwood floors from spikes (Linn Skeets, etc.) seems counterproductive toward this end. If the point of spikes is to anchor the speaker laterally (they certainly do not do so vertically), then putting something under the spikes that keep the spikes from digging in (i.e., doing their supposed job) appears to defeat the whole value proposition of spikes in the first place. I have been told how much easier it is to position speakers on hardwood floors with the Skeets in place, because the speakers can be moved much more easily. I was thinking to myself, "yes, this is self-evident, and you have just taken away any benefit of the spikes unless you remove the Skeets once the speakers are located."
  5. I am making new, thick, hard-rock maple bases for my AV 5140s (lovely speakers in every sense), and I will probably bolt them to the bottom of the speakers using the female threaded inserts already provided on the bottoms of the speakers, and I will probably put threaded inserts into the bottom of my bases so they can be used with the Linn-provided spikes, and I have already ordered Skeets (they were a not even a blip on the radar compared to the Akurate Exaktbox-i and Akurate Hub that were part of the same order), and I will end up doing whatever sounds best to me. Still, I am curious about the mechanics of it all...Interested to hear informed, reasoned, and reasonable responses.
linnvolk

Showing 12 responses by sokogear

mitch2 - I'm talking about the tip of the spike going into a tiny indentation in the middle of the disc which is where it reacts with the floor. The weight of the speaker will go through that small area, not the entire disc because that is where the force is concentrated.
See what the speaker manufacturer recommends. Some come with stands or spikes or some nothing at all, and some with options (not sure why floor standers would come with options).

KEF floorstanders have a nice set up - extended arms screwed into the speakers that have spikes screwed into their underside which can go into carpet. Takes a little while to install them. For hardwood floors, there are discs that come with that have extremely small indentations where the very end of the spikes fit so they floors don't get gouged and you can carefully move the speakers for ideal positioning without scratching the floors. They design their speakers around being a couple inches off the floor. Simple reason....that's how they sound best. Don't overthink it. They are tested over and over.

The discs don't defeat the purpose of the spikes because the tiny area with the force touching the floor is only very slightly larger that the tip of the spike.
+1 @linnvolk  Most of the belittling involves @millercarbon, who does know a lot, but sometimes doesn’t understand some of your points above. Your dealer sounds like a good guy. Everybody’s hearing, taste, and priorities/budget are different.

I don’t think $17K is a small amount to be investing though. However, you’re around my age and hopefully your expenses (payroll) are shrinking and the amount of time you have to enjoy your system is increasing, so you will benefit more from it now.

One point- not sure if I would invest much in a garage system unless it is climate controlled or you live somewhere like San Diego where the weather doesn’t get extreme. I’m sure our equipment doesn’t like 30 or 90 degrees or worse. I have a Bose wave clock radio that I move down into the garage when I wash my car. Not great sound, but strictly background music. You could do something like that (portable boom box type set up) and either put more into your main system or trim your expenditure.

Enjoy!
@mitch2 - The R500s weigh 48 lbs and the discs are 1square inch (1.125 inch diameter)) with 4 spikes, so 12 psi if you assume the force is evenly distributed throughout the bottom of the disc, which is not possible as the disc gets thicker as you get near its center where the spike fits. If you assume the part hitting the floor with force is the size of the indentation, then you are talking about an area of .0128 sq. Inches (.25” diameter) for a force of 937 psi.

I would argue the area is even smaller, about the size of the tip of the spike which I can’t measure without lifting the speaker, which I am not going to do. Let’s assume it is 1/3 the size of the indentation (it’s probably less) so diameter is .0833” for a force of 2200 psi or 317K psf!

I am sure digging the spike into the floor would be better sounding (not sure by how much), but grinding up up oak floor is a non starter. The way I have it probably sounds better than if I had the spike digging into carpeting that has padding under it.

in any case, I am sure that if I had my 4 discs sitting on top of a Townshend platform, the sound would improve (I have one under my turntable and it was an incredible improvement, but my 10 lb table is a lot more susceptible to vibrations than my speakers are). However, the platforms cost more than my speakers (after close out discount) - so that’s a non-starter.

in the cost no object world some posters reside, around $2K for speaker platforms is a rounding error, but for us regular guys with low 5 figure systems, it is substantial. That being said, $10K+ speakers should include stands that optimize their sound or build it into their cabinet designs live Vivids and KEFs do.
Hey MC- my speakers are not $250, but were $3000 list. I got a huge close out discount which makes the Townshend speaker platforms much more expensive than the speakers.

it is interesting you have to admit, that no floor standing speaker is designed with springs or pods or their ilk, and several turntables are. I am not familiar with Magicos, Wilson’s or other astronomically priced speakers, but are ANY delivered with springs? I know many come with spikes.
I hate to disagree @linnvolk, but I have an engineering degree, took physics (even thought it was in Computer Science and Engineering) and knew about Coulomb's law (I vaguely remember it) and of course friction, but not "Coulomb Friction".

In any case, as in one of the earlier posts as recommended by one of the poster's dealers, let your ears do the deciding. Rega uses spikes (very big ones) on its $40K Naiad table and SME tables are very highly regarded and use some type of podium/springs.

I use springs under a platform under my turntable, and spikes (with discs so I don't tear up the hard wood floor) on my speakers....really by default since they came with the speakers and are recommended by the manufacturer. I would be interested in hearing if a spring platform would improve the speaker sound, but then you have to decide if you take out the legs and the spikes and the discs, just the discs, just the spikes and discs....a lot of experimentation. I am sure the distance off the floor makes a difference also.

The fact that the spring platform for speakers from Townshend costs more than my speakers makes it a non-starter. I personally think springs are better suited to turntables than really heavy items because of the sensitivity of the cartridge picking up the signal from the groove. A completely solid floor standing speaker that is well designed should not need springs. There must be a reason why NO speaker company designs them with springs. Now when you talk about monitors on stands, you're adding a lot of variables, and maybe then springs would be advantageous.

Sorry - no word salad, just horse sense.
Interesting MC....I just can’t believe how the Wilsons of the world wouldn’t want to improve their speakers sound on new models. Adding a couple grand to $50K speakers  be worth it if the improvement is as significant as I experienced with my platform on my turntable.

You made a good argument about sunk costs.Are you a lawyer in your spare time? I guess the more relevant comparison is how much you’ve spent on your entire system versus just the speakers, in which case $2500 is significant, but if the difference is as big as I got from my turntable platform, perhaps justifiable.

How big a difference do you hear from the platform versus high quality spikes/discs under speakers? Compared to using it with a turntable?

I wonder how the Credos sound.....if the difference is as large as you have experienced with the platform,  it should give them a big edge over their competition. I never heard of them before you mentioned them.
@mitch2 - as I previously mentioned, I use the Townshend seismic platform (with 4 podiums underneath) for my turntable. It was like listening to a new turntable when I put them in, after I got the correct podiums for the small weight of my table. Every adjustment was noticeable along the way when I was trying a little more weight under my turntable, etc.

I am also going to check back with Symposium Acoustics. They have a great solution also, but couldn't accommodate the small weight of my turntable without having to mess with counterweights that would have had to go on my plinth, which for my table (Rega P8) wouldn't have worked. I'm thinking of putting their version of a podium under each one of my discs to get even more isolation. I'll let you know if I do anything with him or Townshend. I think I can get the Townshend platforms for less than $2500 based on my speakers' weight.
Hey @mitch2 - I now understand that Townshend has speaker bars that a speaker can sit on top of at a substantially lower cost, but still using the podiums. They claim the improvement from the podiums on speakers is even greater than that I got from the turntable!

Haven't flushed out the best fit Symposium product, but theirs provides isolation within a solid, multi component platform, similar to what Mike Lavigne's system shows. They have lots of options and are US based and offer money back guarantees, which gives it a bit of an advantage from that regard.
Thanks @antigrunge2 I spoke with Peter at Symposium and we decided on the Segue platforms (it's a little higher off the ground which I need and I didn't want to go for the roller blocks and the platforms - I can always add them) - he said it will work great with hard wood floors at a fraction of the Townshend price and will be a little more stable with my thin (7" wide) speakers with the speakers directly on the platform versus the Townshend bars having my extenders sitting on top of them.

I'll let everyone know what I think when I get them in a couple weeks. 

MC - something new for you to try - Mike Lavigne uses solid platforms (although I am sure they are much higher than what I am getting).
Interesting. Have you tried isolation platforms? I am going to try Symposium’s as I mentioned above. I like the way it will work and fit with my speakers and keep the height constant.

It has multiple layers with one being a foam core that is the absorbing/compressing function like podiums. From looking at Mike Lavigne’s system, it appears that he is a fan of isolation platforms, although I am sure his are much higher quality and more expensive.

I spoke with the owner who has been at it for 27 years and has been improving incrementally along the way, just like 911s. Substantially less expensive than Max’s lowest cost solution and it focuses on getting the vibrations out of the speakers. Like you, he believes his platforms can help all components, including power conditioners! 
BTW, I spoke with KEF about my speakers and they agree that the platform concept I am going to try, replacing the braces/spikes/discs with the multi-component platform can remove vibrations/distortions within the speaker cabinets.

I didn't ask them why they don't just provide it with the speakers :)

I guess MC is right about some things, although I don't think anyone is as smart as he thinks he is.....