Speaker cone shape


Why are speakers cone shaped, apart from rigidity? To my mind the air being pushed by a cone would radiate at an angle inward toward the axis of the speaker and collide in the centre, which seems inefficient to me, and likely to cause some distortion of the sound. This may also cause interference to adjacent speakers on the same baffle.  Would there be any advantage to having the surface flat, assuming you could maintain rigidity without increasing the mass? There must be modern capable materials out there.
Is the fact that the speaker is cone shaped that causes the volume to change counter intuitively as you move left and right in front of the speakers? What I mean by counter intuitively is when you move left the right speaker sounds louder and visa versa.
chris_w_uk

Showing 2 responses by edgewound

The Walsh Ohm speaker sounds awful. It's a novel design, but next to anything else it's terrible. Explain to me how a single voice coil driver made from three different materials firing downward can have a wideband, high fidelity frequency response. Short answer...it can't...and doesn't.

Sony has had flat diaphragms. Morel makes a dome drivers. Mount a woofer backwards, magnet out and the box gains some volume. Drivers designed with a round cone have the advantage of basic rigidity. Different frequency based cone geometries are chosen for dispersion characteristics.... everything is a compromise. 

Many new drivers have an inverted dome style for the diaphragm. Different materials and diaphragm treatments are also part of the mix.

The best motor design I've ever heard was the extreme underhung topology that was the NeoRadial developed by Aurasound back in the 1990s. Total voice coil immersion in the gap, very linear response, extremely low motor distortion...and very expensive to manufacture due to the amount of steel to house the motor. Over hung coils just cant do what underhung can do for low distortion control of the moving mass. The latest JBL Dual Differential motors is probably the closest with a braking effect from the coils as they reverse direction.
Put a whole bunch of small...say 3"...full range drivers in an array of some sort that will move enough air to get to 85+ dB and be prepared at the amazing sound...with no crossover interference...that all these little drivers working in unison can create. 

Faital Pro makes some pretty killer little full range drivers for about $20 each.