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Sonus Faber Homage Tradition - New 2017 Line

I went in to audition some Sopra 2's tonight and demo'd them against some of the older Sonus Fabers like Olympica III's and the Cremonese (which just happened to be in the room, way out of my budget).  I much preferred the Sopra 2's to the Olympicas which sounded quite veiled and soft in comparison.  The Cremonese had better, more natural bass than the Sopras and threw a bigger 3D soundstage, but it too had the softer, laid back presentation and recessed/reticent vocals that tend to drive me nuts after a while.  I enjoy a dead flat midrange and it turns out i'm picky about it.  The Sopras were hanging in there with these $40k speakers simply because I preferred their tonal balance and vocal placement.

Then, at the end of the night the dealer said why don't we give the new Sonus Faber Homage Tradition Guarneri standmounts a try?

Oh my sweet mother of god.

GONE are the recessed vocals.  GONE is any hint of syrupy overly-warm sound other than how ridiculously smooth these new speakers are.

What is left was a huge and deep 3D soundstage, with perfect tonal balance.  This was far and away the best midrange and treble performance of the night.  The vocals placed perfectly on the stage, with unbelievable tone, clarity, resolution, and all with an uncanny smoothness.  Zero harshness in the treble with the perfect amount of air. They sounded so natural and open. They also play surprisingly deep, but like almost any standmount you are left wishing for that bottom octave which is covered by the Amati and Serafino.

Enough rambling and forget about any old Sonus Faber stereotypes:  these things are special.
emcdade

Showing 1 response by saxguy71

saxguy71
4 posts
 
Interesting, because I've heard the Cremonese and I find that they actually have an incredible midrange presentation when set up properly - but it takes a good amount of time to dial them in, even by someone who really knows how to do so with them.  Vocals are weighty and most certainly not recessed at all.  In addition, once the speaker is placed, the rake needs to be fine tuned.  Also, because of the position of the infra woofers, the speakers should be tried in both configurations in the room - woofers out towards the corners and again with them facing the area between the speakers.  There is a review that mentions the importance of listening on axis vs off axis with the Cremonese.  Trust me, the midrange is there - you just need to get the balance right by playing with their positioning.

The Amati Tradition is an incredible speaker as well.  It has a slightly different presentation than the Cremonese.  Because the crossover is handling the phase alignment, it is easier to place them.  That being said, I would have no problem owning either the Amati or the Cremonese.  Each of them allows the listener to enjoy the music, not just listen for all the "goodies" like sound staging and imaging.  



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