Review: Pass Labs XA60.5 monobloks Amplifier


Category: Amplifiers

Over the last twenty years I have had power amps designed and built by the audio legend Nelson Pass in my system. I still use Threshold SA-1's to power my MG-20's bass panels. I had Aleph 1's for over nine years, until I replaced it with an Edge NL-10, the only generation of Nelson Pass amps I did not like was the original X series, hence the NL-10. When Mr. Pass came out with the XA and X.5 series he won my sonic heart back. This will be my third review here on the GON of a Pass Labs amp. The progression of reviews started with the X-350.5 stereo amp, then the XA-100 monoblocks and now the XA-60.5 monoblocks. I believe that fans of Pass Labs amps come to a point were it gets harder to believe that Nelson can build that much better sounding of an amp then the last generation, but he does!

I never get into technological details because you can go to the website for that information yourself. The XA-60.5's are extremely well built, I find them to be "eye candy". Pass has made many important changes to this generation of XA.5 amps regarding parts, power conditioning/isolation, and the type of transistors used in the front end of these amps. The older AX series was class A but did not double down as speaker impedence dropped down. So, the XA amps were not a great match for very current hungry or difficult impedence load speakers. In hind sight it's amazing the XA-100's drove and sounded as wonderful with my MG-20's. My hunch is, since I biamp, that I had just enough watts/current to drive the midrange/tweeter without missing out to much on Macrodynamics on most music. The XA.5 series do double down into lower impedence loads and have much greater current ability. Since my MG-20's are a four ohms load, there is much better synergy between this amp and the 20's.

The most important part of any audio review, how did the freaking piece sound! Well, to express it in a calm way, the XA60.5's are the best amps I have ever had the pleasure to listen to in my system. Now the details why I feel this way:

1) The most natural/realistic timbres I have ever heard in my system. My all time favorite sax player is the late great Johnny Griffin the "little giant", who I had the pleasure of hearing live on more then twenty occasions, with the XA60.5's it's the closet I have heard to what he actually sounded like in my system.

2) I can't say that the soundstage got bigger with the XA60.5's compared with the XA100's, but the air around individual players and the layering became much more like the real thing.

3) These monoblocks have the lowest noise floor of any amp I have ever heard in my system. The music just floats out of a totally black background, therefore microdetails and decay trails are so much easier to hear.

4) The PRAT and dynamics of my whole system was taken to a much higher level, this is probably based on the XA60.5's having great current ability.

5) Image density and how 3-D each player sounds, yet not etched out, but intergrated with the stream of the music.

6) The last quality I want to share is also the most subjective and the most difficult to put into words. The XA60.5's are the most "musical" amps I have ever heard in the context of my system. They have an "easyness/liquidity/effortless" quality that just allows you to relax into the music and enjoy it. The XA-100's have this quality, but no were close to the level that the XA60.5's produce. Remember, this is not at the cost of microdynamics/prat or just making things sound euphonic/pretty, but the very subjective factor of "naturalness" whatever that is. Or to quote Robert Harley of the absolute sound, this from his review of the XA100.5's, " something extraordinarily beautiful about the sound. It was like slipping into a hot tub on a cold night; the music seemed warm, inviting, and enveloping. A stunning rendering of instrumental timbre,had an unparalleled sense of ease, and coupled a sense of delicacy with unfettered dynamics." I experienced the same qualities with the XA60.5's in my system.

I have said in every review I have ever written that there is no "BEST" when it comes to reference level gear because of personnal taste and system synergy. My perspective has not changed, I just would add the XA60.5's to the list of some of the most beautiful sounding amps produced today.

Finally, I would like to thank Kent of Pass Labs for always being patient with all my questions and Mark of Reno Hi-Fi for making everything so easy to get these amps in my system. Thanks, Guys.

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teajay

Showing 8 responses by teajay

Thanks guys, for your kind words towards my review. Peterayer, I was the first to post on your review on the XA100.5 and thought your review was very well written and informative.

About the prat issue, I find the XA60.5's to be a much more dynamic and faster amp then the XA100's, therefore the amount of prat increased in my system. I totally agree about the bottom end being much more accurate both in speed and harmonic presentation. Since I biamp, I'm mainly talking about the middle or upper bass region and the lower end of the midrange. The good old Threshold SA-1's take care of the deepest bass frequencies.

Onemug, it's been my experience that biamped MG-20's or 20.1's always sound/perform on a higher sonic level mainly because of using an active x-over vs. the passive stock one. Many owners of 3.6's have gone this way also, active x-crossover and a pair of amps.

I believe that the XA-60.5's would have enough current/watts to drive the 20's full range very well indeed, however for the above stated reasons I would not get the best performance because of that rather mediocre passive x-crossover. In my system I still have not found a better amp then the Threshold SA-1's for driving the bass panels of the 20's because of the hugh amuont of current that these amps can deliver.

I agree that it is really is great that starting with Nelson Pass himself and his co-workers for years, Kent and Peter, and now Mark at Reno Hi-Fi are all great guys who know there stuff, are totally honest and are great to do business with.
Elberoth2, since I had the 350.5 in my system at one time I can objectively tell you that the XA-60.5's are in a totally different sonic league and that would include microdynamics. The 60.5's have the lowest noise floor I have ever experienced in my system so you hear the smallest details emerging/floating from blackness. These details emerge with speed/quickness, these amps are the most dynamic I have yet had in my system.
Elberoth2, I'm very curious what your opinion will be regarding the performance of the XA30.5 with your Wilson speakers. I have heard the Dartzeel, not in my own system, and thought it was quite good, my hunch is the 30.5 will give you more of the warmth and liquidity of a SET tube amp. Please post your impressions, it will be fun to hear what you think.
Hi Dev, it's good to hear from you. I have called you at least a couple of times in the the last 3 to 4 months to get your opinion regarding a few things audio, but was not able to get of hold of you. I have not replaced the fuses in my MBL transport. Please share what sonic benefits you heard when you did. Talk to you in the future.
Hi Elmerpoh, my assumption regarding the hum is that it's the transformer that you are hearing. I'm a little confused regarding what you refer to as the grounding pin, if your running RCA's single ended IC's the grounding pin on the XLR's has to be in place. So, if you are running single ended cables by all means put the grounding pin in place.

Otherwise I would call Pass and talk to Kent about the noise you are hearing. If I put my ear right above the chassis of my amps I can hear a very slight hum from the transformer, but I mean very/very slight hum. So, check the pin and if its in place and you still get a noticable hum give Pass a call.

I hope you are enjoying the sound of your 60's as much as I do and congrats on your new babies!
Hi Doug, thanks for your kind words towards my review. To address your questions:

1) Because the SA-1's have been around for almost twenty years I never felt the desire to write a review on them. They still very favorable compare to the best SS amps built today, including Pass's own designs. Smooth, rich, natural timbres,great sound staging, with great bass contol and punch. I believe they might not be quite as detailed/transparent or quick/fast as the XA-.5 series. However, if you get the full monty upgrade from Soderberg it might be very interesting which amps you might like better. I not replaced anything in my pair of SA-1's, including caps, however I'm waiting for new caps from John to install in my pair to see what these better caps will give me sonicly.

2) No, I have not switched out the XA-60.5's with the SA-1's to power my system, but will try that experiement when the new caps are installed. The SA-1's deliver terrific current so they are great bass amps on my MG-20's bass panels, so I have always used them in this way after I got the Aleph 1's for the midrange and high end which sounded better then the other way around.
Hi Lightminer,

You will get no arguement from me that many of the D or switching amps would do just fine driving subwoofers or the bass panels of MG-20's. However, I have on many occasions listened to amps from Nuforce, Spectron, and other highly regarded companies that offer D amps and find all of them rather unpleasant overall regarding their sonics when used to power the speaker full range.

So, I'll stick with my Threshold SA-1's that do just fine powering the bass panels and therefore not join the "modern" era for the time being.