"They are here" vs. "You are there"


Sometimes a system sounds like "they are here." That is, it sounds like the performance is taking place IN YOUR LISTENING ROOM.

Sometimes a system sounds like "you are there." That is, it sounds like you have been transported to SOME OTHER ACOUSTICAL SPACE where the performance is taking place.

Two questions for folks:

1. Do you prefer the experience of "they are here" or "you are there"?

2. What characteristics of recordings, equipment, and listening rooms account for the differences in the sound of "they are here" vs. "you are there"?
bryoncunningham

Showing 3 responses by newbee

Al, I think your comments make a lot of sense. However how do you think this plays out for folks who want to use horn, panel, or line speakers? For example I've heard some folks say that some horn speakers can be 'forward' compared to well designed cone/box speakers, etc.

Because of this I tend to agree with Ballan. IMHO the degree that recordings are forward or accurate (or backward :-)) has far more to do with the practices of the recording engineer than the natural acoustics of the hall, the recording studio or the home environment. Pushing a few sliders around can change everything including the relationship between direct and reverberant sounds and usually does.
FWIW, I sort of agree with Byron's last paragraph, but mostly wherein he stresses the importance of 'resolution'. Not so much neutrality, which for me is as much about tonality as anything else, but this is a can of worms not worthy of discussion at this time. And for me, resolution is found in the absence of distortions in the equipment and set up, assuming the capability of the speakers and electronics to actually reproduce the micro information in the recording in the first place. "Detail" is to me a false god for the tyro who might think that enhanced information in the high(er) frequencies is really balanced. Just MHO of course.

And, FWIW, I agree with most all of Learsfool's observations. Unfortunately all of the professional musicians I know have little interest in high end audio, just like most of my friends.
Learsfool, FWIW, I did not say that musicians, or for that matter non-musicians, didn't have some interest in audio. I referred to 'high end' audio in the context that we use that term.

In my mind, those that use the term high end, myself included, are 'audio' hobbyists. Amongst my friends, family members, and guests, I can find no one really interested in the hobby aspect, beyond making a socially correct observation about my system or music collection, although we will often discuss music itself or the music scene.

My comment was of course nothing more than a personal observation based on personal experience, and I should have known better than to have trotted out what amounted to an old canard in the presence of a professional musician who also happens to be an audio hobbyist. My apologies. :-)