Orchestral brass and fanfare - analysis of system


The question is - where do the elements of great brass reproduction reside in a system? In the story below, I think performance is limited by either my amp or tweeter. What do you think?

And now my story ...
My system at present:

Electrocompaniet EMC1 CDP with MKII upgrade
Pass Labs X-1 Pre
Krell KAV250a amp
B&W Nautilus 805s
Audioquest interconnect
Discovery speaker cable.

What I hear from individual solo brass instruments:
Lyrical sound with good harmonics and good "Pratt".
Equally good with coronets, flugels, trombones, baritones;
french horns may be a little compressed - but then that is their natural sound. Works equally well on loud and soft passages.

What I hear from symphonic brass in fanfare is different:
[e.g. Copland - new world symphony ]The "Pratt" is still there, mids and lows are good, however the highs become compressed at LOUD volumes. On low volume passages the system relaxes into my comfort zone again.

My own thoughts:

1. Is this the sound of clipping?
2. Is this the metal tweeter on the 805s?
3. Is this amp unable to open up the speakers enough?
(Krell generally has plenty of headroom - even the KAVs)
4. Have I hit the wall with what my speakers can do?
judit

Showing 1 response by ivanj

I like Stenho's comments. Look to the amp. The impedence curve of many speakers have funky phase angles and dips in the lower midrange and so on. I've replaced several amps that otherwise sounded fine but were unmasked by symphonic brass. It was the amp and not other components that was the culprit. Of course, the speaker designer could have redesigned the crossover to make it an easier load but this was not in the cards...