My battle with sibilance.


At the minimum sibilance is annoying to me. Its only present on a small percentage of my records. However today I wanted to see if I could improve it. The song in question is Men at Work's "Down Under". The cartridge is an Ortofon Cadenza Bronze retipped by Soundsmith. I went through a lot of the protocols for abating annoying sibilance.
1.My anti skate was not optimally set so I thought and I adjusted to less using a dead spot on a test record. I know some people don't agree with this. I tried Soundsmiths method but until I see a video I won't understand it.
2. I adjusted my VTA to at least 20 degrees. I realized it was off. It was set at 12-15 degrees. I know the Shibata stylus is sensitive to VTA.
3. I checked the VTF and it was set at the manufacturers suggestion at 2.5 grams. Which is dead in the middle of 2.3 to 2.7. I adjusted to 2.62. A lot of people think the higher range is optimum.
3. I made sure my stylus was absolutely clean.
Guess what? After all this, the sibilance was less but still there. As a check I listened to the song in streaming and it was in the recording!!! However not as bad as my record before my TT adjustments. So I'm happy now my TT might sound better on other recordings. Anyway I hope my fellow members here have had some success on sibilance and maybe some will benefit from what I did.

128x128blueranger

Showing 1 response by ghdprentice

Cymbals… really good point. I struggled with the sound of cymbals for years. I kept finding that the ting… and following ring was mostly distortion, and that when I got to a certain level suddenly they started sounding like brass… a very different sound. (I am not contradicting Millercarbon, but digging into the point from my perspective). I found that I had listened to so many concerts (amplified) and stereos that had treble actually being high frequency noise that mimicked the sound of cymbals, bells, tambourines, etc. I actually though that was accurate sound reproduction. So each time I made a change that improved treble it got quieter and less pronounced… but it also took on the rich multifrequency tone with the true harmonics of brass. I had to go out and listen to unamplified cymbals to be sure that my system wasn’t just tilted too far to the warm side. Anyway, back to sibilants, I think that is right, if you have cymbals sounding like brass then the sibilants will take care of themselves.