Merlin VSM-M and Bass


A bit of background:

Equipment:
Marantz SA-14 SACD player
Sonic Frontier Line 2SE preamp
Belles 150A Hotrod amp
Merlin VSM-M with BBAM

Setup and room:
diagonal placement
speakers about 5-6' apart and fairly close to the side walls in a 20'x20'x10' sloped ceiling room with a big opening into a 20'x12'x8' kitchen

I bought the Merlin's (VSM-SE) about 2 months ago and had Bobby upgrade them to the Millenium w/ BBAM. My question is how can I get more bass from them? These speakers are (were?) going to replace my Revel F30. The Revel's have the bass that I'm looking for, however, from maybe 100Hz on up, the Merlin's are much better. I just do not get the bottom end that the Revel's put out.

Integrate a sub? And if so, any suggestions?

Thank you,
david_berry

Showing 2 responses by tubegroover

Hi David

I noticed quite an improvement in bass energy by doing something so seemingly simple as the 6th toe mod. Instead of the z foot front and center the two feet are mounted left and right with the rear center. This rather than four feet. The bass improvement was just amazing for such a minor change.
"Maybe there is a relation between Bam and bass hump"

Pojuojuo, it is interesting that you hear a mid-bass hump or boost, must be a room node as Bobby notes. I have never had a mid-bass issue with the VSM-M which I have used for 12 years now, but it took a while in the early days to get the low bass right including dialing in placement, room treatments, isolation devices and matching the right components. I might have welcomed a mid-bass hump in those early years, cause the balance wasn't right but I perservered recognizing the other aspects of their presentation with the encouragement that yes, the speakers do bass.

Until you REALLY get things right, dialed in, it might seem that the speaker doesn't do bass but still.... I never had the hump issue you are experiencing. This is one of their virtues, especially for a 2-way, no humps, no gimmicks. The low bass articulation, control and pitch accuracy of instruments is just unbelievable when it is right. I'm not too sure I have heard well recorded solo piano sound more natural, coherent and resolving top to bottom on any system regardless of what John Atkinson said in his comments in the Stereophile review. ;^).