Magnepan, Best midrange?


Other than Horns of course.
A few days ago on another audio forum, someone mentioned *why don't you ck out Magnepan??**
I wrote back, seems magnepan is OOB.
He was a  bit upset at my lack on reserach.
SEems Magnepan is still alive and well.
In fact there may bea  back log for the LRS 
Like months back order
Man , not sure why NO ONE here mentioned magnepan's???
Could this be the speaker I've been searching for some 20 years now??
Sure sensitivity is wayyy off my 92db sens limit. 
@ a  miserable 86db sens
However, conisdering the panel is 10x's the size of dual W18's + a  6.5 DavidLouis Full Range + a    Seas Cresendo, all added up, still is less voicing surafce area vs a the Manepan.

I'll run the W18's as bass, If I need extended highs, I'll add a  pair of Cresendos.
WOW and under 
$1G
Alott less, like $650!!!!!!!
Good thing here is, I have a  Defy7, power to spare for magnepan's demanding current draw.
Here is a  YT vid showing how you can modify the magnepan,, I;'ve not watched it yet, will do so today.
This Hifi Guy is the best hifi geek on Youtube.
He knows his stuff and has experiemented in countless speaker designs.
He's da man.
I can 't wait to get my LRS.

And gets even better, Made in the USA,, UNREAL.
If the LRS performs as hoped.
I will make a  long series of Youtube  videos, putting this speaker on the map,  promoting the Maggie as The Worlds Finest speaker.

Ck out all YT reviews of the Magnepan.
Every review gives 2 big thumbs up, 
Try to   that on any speaker on the market. 

https://www.youtube.com/watch?v=-KzmktPjk5o&t=535s
mozartfan

Showing 4 responses by douglas_schroeder

Oh, I see, this is supposed to be the Maggie Fanboy Club Thread!  "At this price...No better speakers on the market..." What nonsense! That's only IF you think the character of the sound is perfect with a panel. We're supposed to fawn over the little Maggie and pretend it's all that, as though nothing else comes close in midrange. Please, give me a break. A fine bookshelf dynamic speaker can be every bit as enthralling. Magnetic planar is one expression of speaker, with plenty of shortcomings. And that from a guy who owned the 1.6QR and the MMG, and uses the MGMW o the walls of the listening room for HT purposes.

Of course this thread was about midrange; I didn't realize it was to promote cheap Maggies as though they're the end all, be all in inexpensive speakers. Forgive me for mentioning midrange in better speakers - and better technologies/genres such as the DLT of the Aspen Acoustics Lagrange L1. 

Note well, community, the panels have problems of their own, and the character of the midrange is typically, shall we say, flat? Yeah, flat, along with the rest of the presentation. Dynamically flaccid. You will NOT get away from that; anyone who actually does comparisons to horn and better dynamic speakers hear it. We have defenders like mijostyn who are so beholden to panel sound that they will try to tell owners such as myself what the Lagrange L1 speaker sounds like when they have never heard it. He heard one hack system with an add on ribbon that seemingly was not integrated well, and he thinks he knows the genre. Wrong. 

Great, wonderful, the little Maggies have inordinately good midrange in the mind of some for the money. I can concur with that. There are also speakers that have midrange that makes the little Maggies sound pathetic in all respects, midrange, too. Let's see, the title of the thread was, Magnepan, Best Midrange? I addressed that, and the answer is a resounding NO, we can't discuss that! Magnetic planar and ESL is one type of midrange/presentation with its own issues. Horror, we can't have that conclusion, can we! Summon the dipole die hard fans! Rally the troops to do battle to preserve the notion that Maggies and Sound Lab speakers are unassailable! 

It's a situation like the old Quad speakers. We're talking a seriously compromised sound quality compared to contemporary speakers. Really poor. The focus on them is the midrange pretty much because that's all they can do. That they fail at many other things is disregarded; they are given the same kind of pass as the magnetic planar technology in small builds. They are simply not all that when put on the spectrum of all speaker performance. If that offends some, so be it. 

The irony of all this is that the OP has a track record of inordinate obsession with his favored genre of speaker. He also obsesses about FR. He remembered panel speakers, then in a pirouette decided that was the Great Solution to his disdain of bass, where midrange is the only big deal. He was going to inform the world about Maggies! He was going to put the speaker brand, "on the map". The inexpensive dipole became THE great expression of sound - all of this unheard, except for his method of assessment of speakers by watching youtube vids. Yeah, so this thread topic was written during his Magnepan phase. Of course, now that he has under $1K because he had no idea what he was doing and didn't realize the combo of gear he bought wouldn't be ideal for a Maggie, he has soured on the speaker and is back to FR! 

It's a circus, but I wanted to add general info about the DLT genre represented as far as I know only by the Aspen Acoustics speakers. So, we have our Sound Lab defenders and our Maggie saviors come running to try to preserve the integrity of the perception that the dipole is the end all, be all. All because a poster with ignorance and under $1K to spend flips opinion nearly as fast as you can flip a coin. 

Jim, you have no idea what you could get out of those speakers. 100wpc is insipid and while you may like it tonally, you're hearing a compromised sound quality from your 1.7i speakers. Listening level has no bearing on that; you're fundamentally under powering them for what the genre of speaker needs to sound good. Now, if you can't accept that input from someone who has owned Maggies, reviewed the .7, reviewed the Sound Lab Ultimate 545 (at the time U4iA), and owns the King III electrostatic, then I'm not going to argue with you about it. 100wpc is cheap, but not nearly what it takes to make any Maggie sound as good as it can.   :) 
You'll love the Maggie; it also has no LF, just like your FR.  :(

You'll have severely compromised sound, which is what you are working for. You'll get it.  
When it comes to midrange, the Magnepan .7 has strengths and weaknesses, as do all magnetic panel speakers; see my article at Dagogo.com. Even the King Sound King III and the Sound Lab Ultimate 545 (both also reviewed, and I own the King III) have idiosyncrasies associated with the panel technology. There are aspects of performance that different technologies supersede. It is easy to hear when you compare speakers in your own room. 

A speaker I recently reviewed which reminds me of Vandersteen in terms of the sound quality of the midrange, and a terrific value, but with a distinctly different, and imo in some respects better, sonic signature, is the Aspen Acoustics Lagrange L5 MkII, also reviewed for Dagogo.com. I have not heard anything else quite like the DLT (Disproportionately Large Tweeter) design, which I discuss in my article. The blend of dynamic and large ribbon gives a very precise, and yet luxurious character to the speaker. 

The takeaway is this; the DLT is winning my listening time away from even the King III ESL. I prefer ESL to magnetic planar usually. I have had a lot of great time with the King III, and it has represented for me that spacious, grand, powerful wall of sound, so I never thought that a hybrid dynamic could pull me away from that somewhat. Even what I consider to be a superior panel speaker (King III) is getting less playing time because of the unique aspects of the Lagrange L1. The midrange - all of it - is very involving, more distinct and yet as clean/precise,  more so than the panel. They are quite different experiences, but a shift in tech can cause a ruckus in terms of what the ears prefer to hear.   :) 

"Best" midrange? If you have experienced few speakers/systems in direct comparison in your room and can afford only one expression, then that would likely be your "best", wouldn't it? 

I reviewed and owned the L5 MkII. I now own the flagship L1 prototype, which can be seen at the Aspen Acoustics site, and the production model of the L1 will be coming for review. The speaker is done, but Scott is waiting on an Eton driver, a delay from the Covid shutdown. 


mijostyn, did you bother to read the article about the Aspen Acoustics speaker? The ribbon has an attenuator so that its output can be perfectly dialed in. The separate tower allows for both toe in and baffle slope adjustments as well as positioning relative to the main cabinet. Imo, your concerns about integration are addressed quite well in this design. In fact, the DLT (disproportionately large tweeter) allows for this hybrid to have characteristics that simply are not available to most hybrid ribbon speakers. Without even hearing the speaker, you have discounted it, but I'm not that surprised. 

I have conversed with enough designers, manufacturers, and hobbyists in this community to know that skepticism based on what they think is their default setting. However, when the speaker is before me, performing as well as ESL/dipole and dynamic speakers holistically, and better than them in a few parameters of performance, then the accepted wisdom doesn't mean much.     :)