Linn Ninkas now Aktiv but a couple questions.


Three days with the aktiv set-up and K400 wire. Nice. Got a few questions though. (1) Did anyone initially experience the sense that there was almost too much information? The set-up sounds wonderful in simpler passages like a voice and guitar but tends to get kinda swallowed up when the rest of the band kicks in. It might just be my room. Though the effect may be linked to the following questions as it seems to be softening.(or is it just my head that's getting soft?)(2) Is there a burn-in time for the cards? (3) I noticed quite a difference between hooking up the output from the pre into the bass amp first then from there to the treble amp than the opposite. Problem may be that my IC's are not the same as whatever is hooked up first sounds better The pre out has yamamura m5000 the other, between the amps, is a .6m blue heaven. Any tips or suggestions? What about splitting at the pre out? What kind of PC's and IC's are you others using successfully? (I have a cary slp-50a pre and rega planet2000 cdp, with synegistic re. master coupler pc's) Look forward to your answers and thanks for your past help getting me here and in advance for any suggestions. PS my test cd right now is Aimee Mann's "Lost in Space" (I'm a bit timid about breaking out the orchestral works until I get all this sorted)
stuartbranson

Showing 2 responses by lugnut

Stuart,

I have an all Linn Aktiv system. I did experiment with other interconnects but the Linn black ones were better than all others except for the Linn silver which I couldn't jusitfy. I'm not much help here but will say that my Wakonda has two ouputs. It doesn't matter whether I take a single output and daisy chain the amps or go directly to the amps separately. It also doesn't matter if I go first to the bass amp or the treble. All possible configurations sound the same.

My experience is that the Aktiv configuration processes difficult and busy passages much better. The sound stage is wider and deeper and everything is placed solidly. I don't know about burn in of the cards since I bought mine used but I wouldn't doubt that time will have an affect like it does with nearly every other component. It seems to me (and I have no experience in this regard) that the interconnects should be the same from the preamp through the amplifiers unless you are trying to change tonal characteristics.

One additional thought I'll pass on. This is based on my experience with Linn speakers in general and may not apply in your case. I have found that they like very little toe in. So little, in fact, that I wondered if it was worth it. It was. A slight toe in leaves the frequency extremes intact and gives a slightly bigger sweet spot. Too much toe in and the extremes suffer as well as a decrease in imaging. For reference, when comparing the Kustone base front to rear, there is a 1 1/2" difference. I hope this helps.

I don't want to start any kind of debate on this and offer it only as another observation through the years. I've found that placing the speakers along the long wall is far superior to the other arrangements. Also, while the Ninkas are floor standers, they don't want to be away from the wall as much as others. Again, for reference, mine are 13 1/2" from the rear wall using the base as a point to measure from.

Isn't the bass improvement stunning? My experience is that more of my software is very enjoyable for some reason and that everything seems so effortless. Have fun.

Patrick
Stuart,

I concur with Tim about moving the speakers farther into the room when going Aktiv. Sorry, I forgot to mention that. I also agree that music at lower volumes had more detail than prior to Aktiv. The only area I disagree with Tim on is finding more faults with recordings. I have a Genki but only have about 40 CD's so I can't really judge the digital domain accurately. I'm vinyl based and find I enjoy way more of my collection. Still, the stellar recordings stand out above the rest.

Patrick