Is There Big Trouble Brewing?


It seems there is some trouble in the recorded music industry. Sales of recorded music has fallen 5% in 2001, 9% in 2002 and the global forecast is for a drop of 12-14% in the year 2003.

Regulators, especially in Europe have blocked mergers between companies including Universal, Sony, Warner, EMI and BMG, and seem to be holding firm on their positions. The music industry feels that consolidation may be the answer to many of their woes. I don't know if I can agree with this.

Do you remember when you purchased an album that contained 12 or so songs? Usually 70-80% of those songs were great recordings with quality content. Now if you find 10-20% of the recorded content to be of any quality you are doing well.

The recorded music industry likes to blame piracy and the world economy to be the culprit. Could it be the lack of quality in conjunction with out of proportion pricing? Many companies feel that format changes may provide the diversity for multiple income streams. Is that why they continue to introduce recycled music in the new formats?

I myself feel a great resentment towards the music industry. I am sick and tired of paying high prices for low quality and I'm sure many of you feel the same way. If the industry would like to see the new formats have a higher acceptance factor, don't you think they would do so by releasing new material on the newer formats?

I don't get it. Is there anyone out there willing to embrace the new formats so that they may listen to recordings that they have been listening to for the last 30 years? Will the industry ever wake up and realize that the consumer is disgusted with the bill of goods we are presently being sold?
128x128buscis2

Showing 3 responses by bomarc

Buscis, no offense, butI think you're suffering from selective memory. The classic albums that you still listen to had lots of great cuts, but the album with one hit and a lot of dregs was not invented in the 1990s. I suspect your taste, like mine, doesn't run to current pop, so neither of us is in a position to judge the classics of the 90s.

As for Sean's "lending library," in the old days you could make a pretty good copy with a little work. Today, making a perfect copy is a snap. So, while I think the industry is guilty of a lot of things, I do agree that copying is a real problem for them.
Lokie: You, too, are suffering from selective memory loss. No fabricated bands in the 60s? Remember the Monkees? And what about Motown--talk about the suits meddling with the art, Motownpractically invented the form.

The way you people chatter on, you'd think the last people who had any decent new music to listen to were Adam and Eve. (Or maybe Abel and Cain, since the industry always catered to the youth market!)
Sean: On second thought (with your latest wrinkles), I really like your lending library idea. The Apple iTunes store offers free, 30-second previews. As another current thread notes, however, 30 secs. isn't enough to really hear the song. I wonder if, as bandwidth increases, we'll get closer to your "all but the last 30 seconds" approach--the advantage of which is that, unlike software copy protection, it can't be cracked. (OTOH, I can imagine a lot of teenyboppers who decide they'd rather miss out on the last 30 secs. than pay a buck for the whole thing, so maybe it won't fly after all.)