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higher end jazz vinyl: where to turn?

I'm a lifelong jazz listener but only new to entry-level hifi, as presently marketed--by which I mean Rega p3-24 turntable, Linn Classik amp, Vienna Acoutics Mozart Grand Speakers, and a lot of heart.

Anyway I have a choice set of old ECM records, Miles Davis records, and so forth, that I bought in the early 1980s. Most of them have some noise and crackle now and again--which I largely discount as the distinguished marks of age and memory. Nonetheless a clean sweet classic jazz LP played at substantial volume, even through a low midfi system like mine, is a beautiful thing. Beauty is a rare thing, I read somewhere. And it makes me wonder about upgrading the vinyl.

So here are questions:
1. Are these $50 classic content and such rereleases of Blue Notes really so good? Including worth the effort of getting up and turning the 45 over in middle of a strong Coltrane solo-a double indignity, to a genius and to the lazy.

2. What to say of all these 180g and 200g re-releases at higher prices versus the $10-20 unopened recent copy meant for mass market (or as massy as the jazz list allowed/allows)?

3. I'm using Disc Doctor record cleaners on my old and newer vinyl, but wonder how great the different is to move to a machine, say vpi 165?

4. I'm just a poor righteous teacher so I'm a bargain hunter: an Inexpensive Audiophile down with the feel of the Expensive Winos aestheticist mentality.

5. Thanks!
paanders

Showing 1 response by xiekitchen

xiekitchen
821 posts
 
I had a Rega P-3 for almost 20 years, great TT, should keep you happy for a while.. yes if you can get the VPI 16.5 record cleaner, good step up and you will hear the difference.. also recommend the 'Hot Stamper' guy's record cleaning "Disc Docter" fluid he is a dealer for.. that stuff really works and works well on my VPI... your old records will never sound better. AND I rarely have to clean the sylus anymore. For Records.. Buy ECM titles that are pressed in Germany if possible. they are better. I have mixed results with the newer pressings on 180 grams... some are good, some so-so... I find in general that the ORIGINAL 1st pressings of any title from country of origin (usually using 1st generation tapes) will sound best.. some MFSL titles are good, some have exaggerated high end and missing lower midrange warmth. For Jazz, I've had good results with the classic records but have not tried those real expensive 45 rpm jobs.
I just bought on a lark a 180 gram pressing of Weather Report's Heavy Weather by Legacy/Sony... IT SUCKS.. my UK pressing and Holland pressing mop the floor with it...
I do buy records on EBAY and from Music Direct. Also from whatever local used record stores I can find.
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