High definition vs. tonal balance


After many, many years as an audiophile, I’ve come to a conclusion that a goal of tonal balance is far more rewarding and less crazy producing than the quest for greater and greater definition.
Of course, both together is Nirvana.  But so many audiophiles go awry in the holy quest for lucidity.
Years ago I had a system that was far less defined than the system I have today. But, tonally, it was in perfect balance.  A violin sounded like a violin, an oboe like an oboe, a trumpet like a trumpet, you get the idea.  But, it was lacking in those elusive fine points of definition that I thought I needed.
Then began a many year’s quest to find the right component, wire, fuse, what have you to get the sharpest picture I could attain.  Trouble is, I would improve one aspect at the expense of another.  More piling on of fixes and I couldn’t get to the place of happiness I had before I started.
Finally, probably by luck and after thousands of dollars I’ve reached the point of content I was at several years ago.
Maybe my system is better defined now, but it also has achieved that synergy.
My point is, was it worth the torture?



128x128rvpiano

Showing 1 response by snapsc

My observation, no big shock here, is that there is not a single answer that applies to everyone.

In my own case, the tone, especially for piano, saxophone, trumpet, and snare drums has to be right...or I find my mind wondering away from the music and thinking about "fixes".

On the other hand, I have two friends who don't care so much about the tone.  For one, its all about the bass; if it isn't pushing him into his chair, then he isn't happy.  For the other, its all about the volume; it has to be loud and anything below 90db just doesn't sound right to him.