High definition vs. tonal balance


After many, many years as an audiophile, I’ve come to a conclusion that a goal of tonal balance is far more rewarding and less crazy producing than the quest for greater and greater definition.
Of course, both together is Nirvana.  But so many audiophiles go awry in the holy quest for lucidity.
Years ago I had a system that was far less defined than the system I have today. But, tonally, it was in perfect balance.  A violin sounded like a violin, an oboe like an oboe, a trumpet like a trumpet, you get the idea.  But, it was lacking in those elusive fine points of definition that I thought I needed.
Then began a many year’s quest to find the right component, wire, fuse, what have you to get the sharpest picture I could attain.  Trouble is, I would improve one aspect at the expense of another.  More piling on of fixes and I couldn’t get to the place of happiness I had before I started.
Finally, probably by luck and after thousands of dollars I’ve reached the point of content I was at several years ago.
Maybe my system is better defined now, but it also has achieved that synergy.
My point is, was it worth the torture?



128x128rvpiano

Showing 1 response by noromance

My understanding of it is like this: To perceive the most accurate quality of the reproduced music, it's necessary to successfully generate the correct harmonic structure - the primary tone plus as many of the original harmonics as possible. The problem with retrieving as much information as possible is that the higher frequency harmonics can have lower amplitude and consequently be more difficult to amplify without gathering distortion in the amplification (and source retrieval) process. These added distortions make the sound harder and brighter and alter the timbre.