Hear my Cartridges....šŸŽ¶


Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup šŸ˜Ž
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.

With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....šŸ¤Ŗ
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.

I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....šŸ¤—
128x128halcro
**** However, Iā€™m not sure that I would agree that it sounds ā€œcoloredā€ compared to the Palladian ****

Should read:

**** However, Iā€™m not sure that I would agree that it (Palladian) sounds ā€œcoloredā€ compared to the Victor ****

Sorry.
Interesting notes @frogmanĀ .Ā 
I'm recovering from illness so not able to listen through my digital rig.Ā 
By colored I mean that I can hear a color superimposed over the recording like a thin veil. I know it's probably an odd description and perception. Ā Once I detect it in a setup, I hear it with every recording. Whether there are frequency response variations in the MM, I don't really notice on the phone but now I'm curious. Nevertheless, it sounds clearer and more live and exciting.

Your ears need to be insured for millions šŸ’°Frogman....
Whilst I was recording the Victor Z1/SAS....I could clearly hear in my room....the "extra midrange juice of the Victor" that you picked up.
After recording it.....I realised that I had left the loading of the MM cartridge at 40K Ohms instead of the 60K Ohms that the Victors like...šŸ„“

On playback however....through my iPad.....I heard it like Noromance did, with a richness that seemed to have an advantage over the Palladian so I uploaded it like that.....

I think we need to get ourselves ears like Frogman, Noromance......or at least try to get the sameĀ Stax/tube set....šŸ‘…

It'll be interesting to see what you hear through your digital rig Noromance?
You listen on Tidal don't you?
Your ears can be just as good as frogmanā€™s, our walking encyclopedia on all thinks musical .

First step is to listen to live acoustic music for about 60, 000 hours , maybe 50,000 if you do the playing and either way take Music Theory 101-102 at a
university School of Music at the same time .You can read the 4-500
musical history books at home in your spare time .