Grand Prix Audio Monaco Turntable


FYI, Hi Fi Plus (an excellent UK audio magazine) just did a very thorough review of the Monaco turntable. I have had the turntable for a year and think it is incredibly transparent and very involving - you really get pulled into the music. I could never explain why I found the turntable so engaging, but I think Roy Gregory has done a very good job of explaining why. I have had the VPI HRX and am very familiar with a number of the high end tables (e.g., the SME 30 and top of the line Brinkman)and thought those tables were very good, but I never had the same connection with the music as I do with the Monaco
cohnaudio

Showing 2 responses by nilthepill

It is a pleasure to find this thread. In fact just few days ago I had never heard of Grand Prix Audio. I stumbled upon this turn table when I found out that this TT was used with all Zanden system at CES 2008. Then I read Hifi+ review by RG- a very well written and pretty thorough review, as always and find it real fascinating. I don't know if it is true or not but it was kind of embarrassing to find him uncover the fact that the Emperor (Typical high end analog sound) has no cloths!

Also glad to read that closest similar sound spectra is produced by the Clearaudio Master Ref Deck ( which I happen to own and love). I have lived with the Clearauido MR TT for more than a year and still amazed at the how transparent sound it reproduces. The sound is (MR) anything but lean. The bass is deep, tight and has plenty tonal colors rather than just sound warm , big and fluffy. High freq. extension also is there but nothing that stands out unless it is present in recording/note. Mids are 'big' and life like. Percussion notes are fast as well as well 'spread' (duration and substantial and enough mid/high freq content- don't know how else to describe. In other words there is no short high freq bursts but has some character that you can 'look' into. Closely mike triangles have distinct impact, body and reverb. The drum sticks sound substantial, present and woody I could go on and on))
In fact, occasionally I have wished for bass to be round and big but I know that real life acoustic bass has definition and varied tonal colors. On Electronic music, which I listen to a lot, the bass is practically earthshaking and I mean like 'center of earth bass'. I would call this sound anything but lean. I am not describing to toot my own horn but trying to get handle on well set up GPA's reproduced sound characteristics

If this sound characteristics is any indication then, GPA hifi+ sound report/review probably is right on mark. I have not read the MF report yet.

Only question is would anyone pay $20k plus for mere 40 pound puny looking TT which probably don't entitle you for any bragging rights- like say TWRaven or walker or even Clearaudio MR ;-)? (I am kidding of course. )
Okay, just read the Stereophile review also. Both review kind of indicate similar sounds signature (Top to bottom clarity) but at the same time could not be more similar based on Tone arm and cartridge choices. It is obvious that MF found the sound dry and etched based on his set up vs Roy found it right based on his set up. Who is correct? Probably both in the respective set up and systems tried.