Fly in the SACD Ointment?


Yesterday, I almost got tears in my eyes going through the new audiophile format bin at Tower Records in New York. Spotting some old favourites in the SACD section, I was blissfully imagining throwing my CD player out my 17th story window and sitting down at a new system enjoying the best of analog AND digital. Then, it hit me -- even in the good old days, when I when I wouldn't dream of listening until I had Nitty Grittied my records, carefully cleaned the stylus, adjusted VTA, switched off the phone and dimmed the lights -- A LOT OF RECORDS STILL SOUNDED PRETTY BAD. Not nearly as bad (or as often) as a bad CD, but still pretty bad and ultimately unsatisfying which is what lead to my neurosis with this hobby and a never ending quest for great recordings in addition to great gear. So I am wondering -- maybe a $5000 SACD player and a new collection of software at $25 each is just going to take me back to bad analogue?!?!? Or is Sheffield Labs going to painstakingly remaster every title in the SACD catalogue? Has anyone thought about this or is there some magic to SACD that makes it all worthwhile, nonetheless. Maybe bad "analogue" without background noise and with greater dynamic range is still pretty special, but I really don't want to listen to Mannheim Steamroller in any format. Thanks for your thoughts.
cwlondon

Showing 1 response by cornfedboy

i've already replicated in redbook cd format most of my favorite lp's. for the nonce, i've no plans to do the same with sacd, should the choice ever become real.

i waited almost 3 years after the introduction of the cd format to buy my first player (a mission dad-?). the novelty of a more-or-less silent background enticed me just enough to purchase a handful of cd's at the "salons" that first had them available. none of those discs, none, sounded as good as its vinyl counterpart. i abandoned the cd format altogether for roughly seven years, clinging to the magic of analogue as more and more "record shops" emptied their display cases of 12 inch platters and replaced em' with those silly long boxes that would fit the abandoned bins.

in 1995, i grew tired of chasing down the elusive new releases on vinyl and bought my first true highend cd player, an accuphase dp-65. while that player was several orders of magnitude better than anything else i'd heard before, it still couldn't beat the sound from my turntable. but, now i could actually buy every new release available, just like in the days when lp's were the medium of choice. i've gone through another 3 cd setups since owning the dp-65 and now possess what i feel is one of the best combo's available. my cd collection has grown like jack's beanstalk. and i'm content....... well, perhaps not entirely.

i've been listening to the 2 box accuphase sacd combo (dp-100/dc-101) for nearly 2 years now in my good friend's sound room and elsewhere. i like it, but i've not been swept off my feet. certainly not to the extent of $28k. lately, tho, i've heard some of the handful of dsd recordings available. now i begin to understand how reviewers of the system, as in the latest tas, pronounce it BETTER than the best vinyl.

still, after reading all the posts to my thread on "the age of uncertainty" and continuing the contemplation of my navel, i'm not ready to hop on the sacd bandwagon. i will when i can no longer get the new releases on redbook or when the prices of the cd/sacd formats reach congruence. the only thing that might push me to move more quickly to the side of sacd would be american gramophone's realease of a dsd box set by the label's most famous "artistes." 'course, this is just my opinion, FWIW. -kelly