Eminent Technology LFT-VIIIa


Wonder if the owners of these speakers can comment on the sound?
Can you compare them to any other speakers you've owned or listened to?
Pluses and Minuses, etc.
Do they Look better than the photo's on their website?
I've previously owned Innersound Eros MKII and like the sound of flat panel speakers,
although I have not heard the Maggies so I can't compare the ET's to them. I have owned the Monsoon computer speakers that were based on the ET's and they were incredible.
Trying to do 2 channel for audio along w/a sub for home theater.
Thank You
sedona

Showing 2 responses by plato

Hmmm,

I have a somewhat different perspective. I've owned the Maggie Mg-III and MG-12, Carver AL-III, Acoustat 1+1, 2+2, and Model III, Eminent Technology LFT-VIIIa, InnerSound Eros original and Mk-II, Newform Research Module 30 and VMPS RM30. Additionally I've heard many other popular electrostats and ribbon speakers at length, with my own recordings.

Of the speakers I have owned and evaluated, my preference, based on overall performance, first-last, is as follows: VMPS RM30, InnerSound Eros, Acoustats & Newform Research (draw), Magnepans, ET LFT-VIII, and Carver AL-III.

When I owned the ET VIIIa, I found them easy to listen to and well-balanced. On the downside, I found them somewhat industrial in appearance, lacking in immediacy/detail, and somewhat dynamically limited. Also, they are not the easiest speakers to drive. The InnerSound Eros will play much louder and more dynamically, and has a greater sense of incisiveness, immediacy, and transparency. The two are not in the same league in my view. Downside to the Eros is mainly the head-in-the-vice syndrome due to the marked high-frequency beaming. I didn't realize how much it bothered me until I switched to other speakers.

For the criteria you have set, I think your best bets would be ribbon-hybrid models from VMPS or Newform Research. Selah Audio seems to have some interesting line arrays too, but I have not auditioned them so I can't comment with any certainty on those.

Happy Listening and Happy Holidays!
High-frequency extension and speed is what gives many midrange instruments the ability to sound like they do in real life. Without it, you have a pleasing, more rounded, but less authentic sound. The sound of the instruments with upper-frequency harmonics (most of them) gets diluted and smoothed over. That is what I meant when I said the LFT-VIII is not as detailed or immediate sounding. It does seem a bit rolled-off in the upper octaves and if you put it in it's extended-treble mode it then becomes too aggressive/bright-sounding for my taste.