DCS Puccini into Lamm M 1.2 w/o preamp?


Hi,
any thoughts about going directly from a DCS Puccini into the Lamm M 1.2 monos? I've read that the Puccini should work pretty good fed directly into a power amp. Currently I'm using a ARC Ref 3 with a pair of Parasound JC 1, planning to substitute the JC 1 with the Lamms to get more body and weight to the sound. Speakers are the Isophon Cassiano with the diamond tweeters.

Thanks!
Martin
mluding

Showing 5 responses by chadeffect

I agree with Anupmc.

Direct into the amps is the best way forward unless you have some kind of euphonics happening that you cant live without.

My feeling is the Lamm amp on its own will give you enough tube sound. You can switch the output voltage of the DCS to keep the output optimized, so the comments about the digital volume control are just paranoid.

Keep it around -20 and over for proper listening and it will be more than fine. Below that is still fine, but the nervous audiophile in you may start thinking about the bits. But in reality it will be better than most preamps and interconnects whatever you do. Try it I am sure you will be happy. Resolution beyond most digital.
Rtn
indeed, but never underestimate world class digital either. A nice suit may not need a warm coat in summer.
I have been searching for a great preamp for many years. I have yet to find THE one. But while I wait, my DCS plugged direct into the amps is by far the finest of sounds. Loud or soft.

If you fancy rounding your sound or dumbing down your CD collection so that even the bad CDs sound nearly as good as the great ones, then maybe getting bogged down in the preamp dilemma is a way forward. For all others DCS direct in is no slouch. Spend the money you saved on a great cable.
Hi Kyomi_audio,
If you know of a great preamp please tell me. I think my list is even shorter.

I liked the VTL 7.5 very much and a few ARCs including the ref 3, I am trying the ref 5. The SS orpheus pre was good too.

I am afraid most were tube preamps I am accusing of dumbing down.

I found that many tube pres added a form of soundstage depth through that fat/rounded lower mid and bass or lack of control of it.

I know many audiophiles love that and think that is what highend sounds like. I dont want to hear the equipment. I want to hear what the guys in the studio decided on. Not some guy that found he liked rolled off treble or some eq or whatever. I got so bored of tube rolling.

For some music that was fine. But across the board that masking made it difficult for me to enjoy the wide range of musical styles I listen to. Especially when you have the option to hear your source direct. I only have 1 source so it is less of a problem for me.

To name and shame a few would be harsh, but some were the CAT Ultimate ,Audio valve (although great for the money), ARC LS25,LS17, some SS types were Musical fidelity, Levinsons (the no 32 was good). To be honest none could compete with direct in. It is even worse with high sensitivity speakers as any residual noises are laid bare.

Ultimately attenuation is all that is needed if everything else is working well.
Hi Rtn1,

Thanks for the info.

I would agree with most of what you say. I have heard the same effects. Not just with preamps but headphone amps too.

In my case things are a little different probably due to speaker sensitivity. I have effortless dynamics right across the frequency range. The Trio is probably one of the finest speakers for this. Having said that it is ruthless with any changes made to the system.

That glare or maybe rawness you mention with direct in I have tuned out, both with a great DAC, and tweaks like internal fuses, power conditioning, regeneration and cabling.

The sound you describe is what a great limiter or compressor can do in the studio. By softening the peaks just enough, and bringing forward the body of the music. Then the added harmonic distortion can bring a sense of life and euphonics to the system.

I had the Lamm (although with a different speaker and front end). I would like to try the wavac. A friend of mine is the importer.

The pain is cabling as I am all XLRs. I am sure the Wavac is RCAs only.

I would like to hear the BAT in my system. I have a friend who has it but his system always sounds dark and moody to me.

I have heard the VAC renaissance sig, which sounded rich if not a bit slow and soft. It is quite nice. I dont know the Joule or Shindo although they all look single ended.

I fear this is why I am finding it tricky to find what I am looking for. I loved the mind boggling speed and purity of the Halcro DM amps and I also like that special thing ARC can do. I would love to find a product that mixed the 2. I find the DCS has a purity and a hint of warmth with unbelievable resolution.

As I said while I look for that elusive preamp, the direct in is extremely good.