Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
Not for nothing, but in a recorded live performance of a symphony or concerto, who is the guy who screams approval a split second after the last note is played?

Does that annoy you as much as it does me?
Or am I just a curmudgeon?
Post removed 
It bothers me if one jerk  does it but not if the entire audience does it  .
My best moments are when 5 seconds of silence follows the last note .
Some pieces favor this with a great performance and other pieces the audience on the audience on their feet with same .
It is what it is .
Schubert,

I agree.  If there is a spontaneous reaction from the whole audience, that’s fine.
But, too often, there’s one exhibitionist who just wants to to be heard.

It’s so bad with the opera cliquey on "Live from the Met’ I just stopped listening to it .
Opera needs to be seen anyway, it’s half theater after all. .
IMO listening to opera at home is DVD time .