Class D is affordable and sounds as good or better the SS/Valve why buy anything else ?


I have spent a fair amount of my hard earned money on big ticket brand new SS and VT/Valve amplifiers over the years without hesitation, with state of the art 2019 class D amplifiers becoming cheaper and sounding better, i wouldn't join in again.

For older technology amplifiers SS VT/Valve to compete with State of the art class D, Their prices are going up and up.

One example is Pilium Audio from Greece or Bulgaria their Divine Line the prices are all over £100,000 for their pre amps and power amps, I know the UK importer he said they sound OK,

Another example FM Acoustics again up to and over £100,000 for pre and power amps. i have owned FM Acoustics pre and power again their OK,

I am not saying they do not sound good, i am saying why spend this much when state of the art class D probably sounds as good now and can only improve with the GaN capacitors and is nearly up to 100 times cheaper.

Is there still a market for multi thousand £$s SS or VT/Valve amplifiers ?

When class D finally overtakes SS VT/Valves what will people do with their multi thousand £$ amplifiers, keep them knowing there is something better ? Or will we see the market flood with exotic used amplifiers ?

Digital technology is rapidly growing pace and becoming cheaper, with GaN capacitors being introduced the sound is going to get better and better and will slowly or quickly become even more affordable.

If you had 50,000 to spend on an Amplifier, would you buy a high ticket SS amplifier and hope for the best ?

Would you stay safe and go with high ticket valve amp, class D can never match good valves right ?

Or would you sit tight and see how the GaN capacitors can further improve the performance of state of the art class D ?

Please feel free to join in, everybody is welcome, i think its a very delicate/touchy discussion for some people with big bucks invested in older type amplifiers.
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Showing 8 responses by agear

S&V: Generally speaking, what are the key benefits of Class D versus the traditional Class AB and Class A designs that have long been favored by audiophiles? 
BP: Efficiency and therefore the ability to construct amps that are powerful for their size. Only that. Modern Class D amps, in particular mine—ahem—sound good not because they’re Class D, but in spite of it. I can’t repeat that often enough. Left to its own devices, a switching power stage tries to do just about anything except amplify audio. You choose Class D to save energy but it’s all elbow grease after that. People don’t realize how much more challenging Class D is compared to Class AB. It’s truly an order of magnitude.
Resistance is futile.  With the impending New Green Deal, there will only be one option on the menu....
So in summary Rick, you heard WAY MORE OF EVERYTHING:  

http://tweakaudio.com/EVS-2/EVS_1200_amplifier.html

That certainly looks like a pretty florid case of expectation bias to me.   


Has anyone done blinded listening sessions comparing the magic of class D to other topologies? I know from a psychoacoustics standpoint, people used to believe you could not "hear" differences in amplification when blinded.






If someone wants to send me their magic class D integrated box I will happily do a blinded A+B with the 300B Trafomatic integrated in my office system using my wife as the test subject (amazing ears and a musical background):

https://systems.audiogon.com/systems/7635



Plga,  what tube amp did you own? What tubes did you use?    On what speakers?   How did the soundstaging compare? I’ve used a lot of different iterations of class D with the exception of the most recent stuff and found them to be pleasant but strangely truncated and atonal.    
plga, nice. The speakers look interesting and he/they spent some time and thought on cabinet engineering in particular. I see that they extend down to only 41 Hz and are 90 dB/6 ohm. I presume the class D fleshed out the sound? 300Bs amps can sound thin and strained when rigged with cheesy transformers and paired with the wrong speaker. The Trenner & Friedl RAs are 95 dB/8Ohm and the Trafomatic Audio Experience Two MK II Integrated Amplifier (and Sophia Blues) are a match made in heaven. Like cooking, audio is all about proper integration.
A blinded listening session at your local audio society (or even audio show) is begging to be done.  Bring your favorite topology and see if you can even tell them apart.  

The manufacturers on this thread are too scared to do that.  No one has stepped up to my challenge of sending me their wares.  

This study would be fun to duplicate at this stage of the game since things have "evolved":  

https://www.stereophile.com/features/203/index.html