Thanks for the responses thus far. No Doug, I didn't feel like I was taking a risk with the Melos insofar as your recommendation was concerned. My concerns were with the veracity of the seller regarding the condition of the unit etc (the "sight unseen" aspect). Still waitin' for the new toobs BTW - the place screwed up and dint overnite them as expected. Hey Craig - I agree that the internet (and Audiogon in particular) has permanently changed the approach to used and/or unfamiliar-yet-intriguing equipment. Just in the last year I've bought either equipment, cables, or LPs from the U.K., Canada, Hong Kong, The Netherlands and Belgium. It's pretty damned cool IMHO, as is exchanging ideas with youse "Audiogoners." -John
Buying "Sound Unheard"
I find myself in a quandry. As much as I know (and recommend) that "audition, audition, audition before purchasing" is the best means to system matching and "audio fulfillment," I find myself doing somewhat the opposite and purchasing quality equipment based on reviews and more importantly, the opinions of peers. Luckily, in my last three purchases (phono stage, cartridge, and now line stage) I've been fortunate in that they've been major boosts to my system. Living where I do, there just isn't access to the brands I'm interested in, plus my schedule is unforgiving. I'm curious as to how many others find themselves in this position, and the resources they use to get around it (including the obvious one - this web site!). As many threads as I see inquiring as to the characteristics of this-and-that, I would suspect that many of "us," especially those in rural or semi-rural areas are in this position. Just Curious. -John