Best Vinyl Bach - Solo Cello Suites recording?


Hi All,

Been looking for this out on the bay, but there are so many, i'm not sure which is best. I've already read that Starkers interpretation is the "best" -- that is, most accurate, lively, etc. I'm not after this though -- I want the "best" recording of it. Starkers version is $100+ for a 3lp set, Casals 25-50, YoYoMa $70ish. Do you have any experience with these recordings? What are your thoughts?

Thx,
mm
128x128martinman

Showing 5 responses by johnnyb53

The Starker Suites on Mercury Living Presence is the gold standard. It has stood as such for 50 years. It is still available on CD, mp3 download, HD download, and LP, the aforementioned 3-LP set by Speakers Corner. It was also on SACD until it went out of print a few years ago.

Of the others mentioned (and not mentioned) here, only the Starker, Fournier, and Casals were recorded in analog.

The Speakers Corner Starker is stunning, and puts the man and his cello right in your room. Easily worth the $100. The analog aspect gives full due to the cello itself, and its liquid, singing delivery. Dynamics on the LPs are as good as it gets.

I have an original mid-'60s mono of the Starker suites, a current Speakers Corner LP reissue, the 2-CD Mercury set, plus the Suites on CD by Lynn Harrell and Rostropovich. I also heard the earlier of Yo Yo Ma's two renditions of the suites on CD.

Growing up I also heard the Casals LPs.

I liken Starker's suites to Artur Rubinstein's piano style--virtuoistic, dynamic, disciplined tempi, lots of music, little to no schmaltz. Of latter day artists I've heard, Harrell comes closest and Rostropovich's is probably the most personally emotional and therefore idiosyncratic.

If you search for the cello suites on LP, you can start with Starker or somewhere else, but sooner or later you'll probably end up with Starker. The Speakers Corner set checks all the right boxes--recording quality, mastering, pressing, dynamics, and the disciplined performance of an absolute master at the peak of his power.

I don't think it's ever been offered on LP, but I like Harrell's Suites as well. They're pretty disciplined, but Harrell reminds you that these suites were originally a dance form and he injects some welcome liveliness into the appropriate movements. Plus Harrell always pulled the most magnificent tone out of his Montagnana and Strad cellos.
^^^ Yep. Considering that original mono sets of Starker hit $500 and the
stereo ones fetch around $1500, the Speakers Corner set is practically a gift,
especially considering its exceptional quality in all aspects.

There's a reason for that, in case you're wondering what the go-to LP set of
the Bach Suites is. The Starker-on-Mercury was legendary from its 1965
debut. And the more you play it, the more you understand why--50 years
later--it still is.
What Yo Yo LP are you referring to? Most of his stuff, especially the earlier
stuff, sounds a bit thin and buzzy to me, esp compared to Harrell. Maybe this
one is closer-miked.

If you want to hear a monster cello tone, listen to some Lynn Harrell.
Well, who knew?

Here's a modern (2012) all-analog recording, mastering, and limited edition pressing of the Bach Suites performed by Rocco Filippini on 180g vinyl at less than half the price of the Speakers Corner Starker.

I have no direct experience with this artist or recording, but it certainly looks promising.

What prompted me to search for alternatives is that I just heard the 4th Suite by Luigi Piovana, and it's fabulous. I couldn't turn the radio off. It's a digital recording available (AFAIK) only on CD, but to this vinylphile it sounded *really* good and the performance is quite compelling, as in, it compels you to sit in the sweet spot and listen to the whole thing.
Rushton, thanks for the input, as I have no direct experience with the Filippini.

I am, however, intrigued by the Piovano. Although it's CD and download only, the performance and digital mastering qualities may make it a compelling acquisition. I really like his interpretation and the reverberant ambience of the recording. And I say this as an ardent Starker/Mercury fan.