Best speakers for 2A3 SET amplifier?


What is the best speaker for a 3.5 watt/channel amplifier?
kweifi

Showing 6 responses by trelja

I am hoping to set up a second system, when I move into a new home later this year. My plan is for it to be in a smaller sized room, using a 2A3 based amp. I know there are the usual suspects; Coincident, Soliloquy, Silverline out there. But, I also am intrigued by Edgarhorns. Would like to give them a serious look. Based on what I read about Avantgarde, the Edgarhorn speakers look even more impressive. More real world in terms of size, price, ability to fit into a room, etc. Not a lot of information on them, though. I hope to find them available for an in-depth audition.
Thanks, Doug! The most I have read about the Edgarhorns is via Dick Olsher's enjoythemusic.com. From what I remember, the reviewer's liked them(including Dick, whose opinion I used to often agree with when he was at Stereophile). And, it led me to check out their site. I saw some manufacturer's horn site(that said theirs overcame coloration), but I don't remember if this was a different company or not. But, it was someone's horn(other than Avantgarde). It's been a long time, and I looked at countless sites since in pursuit of this hobby... I would look into Avantgarde were it not for their price. I am sure that horns/SET's will get a mojor boost via the Stereophile review. Many people have been lusting for SET, but speakers were the limiting factor. I now believe that horns will again become fashionable.
Thanks Jls3! I think the Kochels were the speakers I was trying to remember! Klipsch speakers have never done it for me. Just provide me with none of the emotional experience that the kind of audio equiment we lust for does. Not to say they are not good, just not good for me. I will investigate the Edgarhorns. Have a really nice pair in the $4k range(I recall?), and will fit into the room(sized/look more like "regular" speakers). I can say nothing against Avantegarde. But, I am pretty sure I will not buy because: I can't spend that kind of money, and they are too big for me(DOMINATE the room). Maybe in another life...
Thanks Tmhaudio. Sorry, I did visit Kochel before. But, in going there just now, I realize it was NOT the horn company I was thinking of. Still, I am know Kochel are top drawer in anyone's eyes(or ears). By the way, Edgarhorn makes a $1800 horn, but it is not the best(just checked Dick Olsher's site). Their better horns are well regarded by people like Harvey Rosenberg(think I'll check into his site now that we are into this 2A3 dialog). Now, that I think about it, there was another loudspeaker manufacturer I visited that looked VERY interesting. They make dynamic loudspeakers aimed at this market, and no one has ever heard of them(name has something nature or out west related - sort of like Montana loudspeaker, but we KNOW that they are not the company). I will try to get the name for everyone. Just give me a little time. I think we should all be proud of this thread. Great information, discussion, exchange of ideas, without the vitriol, personal attacks, ego, etc. that poisons many of the threads these days.
I agree with the statement disputing the claim, both "ProAcs and Von Schweikerts, for example, will do full-scale concert dynamics in a 10 x 20 room, with overhead to spare, on a typical 2A3 amp." To me, "full scale concert dynamics" range from 100 - 110+ dB. A 5 watt amp, powering even a flat 8 ohm, 93 dB sensitive speaker, would not be able to reach those levels "with room to spare". I am love with a certain 3.6 watt 2A3(and will hopefully buy one). As great as this amp is, with the dynamic speakers I have listened to it with(more benign loads than any Von Schweikert), it never had this kind of drive. Yes, it is ADEQUATE(and a WONDERFUL) amp, but you are making a similar analogy to a car being able to pull a freight train. Ain't going to happen. Let's rejoice in the beauty of a great 2A3(and its superior sound compared to a 300B), but we need to remain realistic.
Mjm, I understand your points. I myself, do not listen very loudly(80 - 90 dB). I am basically relating my experience in dealing with a member of the Philadelphia Orchestra. He came to a store I was involved with for audio equipment. He listened SO loudly 115 db and higher, we all had to leave him to his own devices. Absolutley ear bleeding. He maintained that this was the realistic volume of an orchestra(I guess from where he was sitting). He demanded his equipment be able to play that loud. I would wager that he is not the owner of a 2A3 based system. As I have evolved from quantity of sound to quality of sound, 80 - 90 db is fine for me. This level is certainly attainable with tube or SET amps, and easy to drive loudspeakers. So, I really don't worry. I also maintain that horn or dynamic speaker, if you are happy with your system, THAT is all that matters. Happy listening.