Best preamp for Symphonic Line RG4 MK4


Hello,

I have monoblocks SL RG4 MK4, and I use right now pre from Naim 252 with Supercap2, Naim DAC and Rockna wavequest as transport, Sonus Faber Cremona M, speaker cable is Kimber KS3033 and interconnect only Neotech 3101. When I bought Naim pre I was very happy, sound of Naim on SL it was nice, but with time something trouble me, I need more detail, more transparency, more bright. As we know Naim give a little darkness and I want to change the pre.

Please tell me best choice in this case. I just looking about CAT SL1 but I can not find this products. Also many people told me that Jadis pre can be one of the best choice.

What do you think ?
Regards
Razvan
razvanvrs

Showing 4 responses by rfogel8

I've owned an RG-1, RG-7 and finally RG-4's. I used Cat's with all of them and there's a nice synergy. For the money, the Cat is hard to beat. My favorite was the Sig. Mk 2 which used 12AU7's in the line rather than 6922's.

I owned Cat Sig. Mk 1, Sig, Mk 2, Sig. Mk 3, Ultimate 1, and finally Ultimate 2; all with phono. After the Symphonic Line's, I went with CJ Premier 12's(OK but not that great) then VTL 250 monos(very nice).

I'm now running Atma-Sphere MP-1 Mk3 with phono and MA-1 Mk3 monos and I'm done looking. The MA-1's are wonderful; way more believable than anything I've had previously but the MP-1 preamp is the key to it all. It totally outclasses any of the CAT's or anything else I've heard. Waaay more refined, smoother, cleaner and just plain more believable.

I liked the Sym. Line gear a lot but you'll never get that 3-D organic sound that tubes provide. If you want that flesh on the bones sound, you'll have to go all tubes. If you want to stick with the RG-4's, I'd look for a good used MP-1 pre which would be a nice compromise.

Just my 2 cents!
When it comes to impedance, JWM is correct. He's also correct regarding the Speltz autoformers. Some may argue the point but they definitely defeat all the advantages of OTL. Duh, he's also correct when he recommends "tubes somewhere in the chain." He and I both agree, start with tubes in the linestage.

Pani, ATC claims 8 Ohm and "flat impedance curve" so I don't see a problem. At 85db, the SCM40 isn't all that efficient but I'm guessing the M60 monos would do the job. My MA-1's had so much gain driving my 6 Ohm, 90db speakers, I ended up removing one of the 6SN7's(at Ralph's recommendation) to give me finer adjustment at the lower end of the MP-1's volume control.
This may sound like a pain but if you really want a CAT, I'd buy one on Audiogon and have it shipped directly to CAT so Ken can check it out and do a quick/cheap rewire for 220V.

My guess is, if you buy in Europe and pay in Euro's, you'll end up paying a lot more. Also, CATs come up more frequently on the 'Gon so it shouldn't be too difficult to find one.

Also, I wouldn't go any older than a Signature Mk.2. An Ultimate 1 or Ultimate 2 would be even better but any CAT should make you very happy!

Good luck!
Razvanvrs, JWM and my brother will agree with me on this one, between preamp and amp/amps, Wire World Eclipse is very hard to beat. We've all been using it for many years in various systems and though we've tried other cables along the way, the Eclipse has always been a keeper.

JWM has VAC tube gear, my brother owns McIntosh SS and I have Atma-Sphere. All very different systems but we all agree, the Eclipse sounds absolutely great between pre and amp/amps.

I have both the regular and Silver Eclipse and the sonic differences are subtle. JWM has the Gold Eclipse, which I've heard in my system, and again, the differences are subtle. In my mind, not worth the extra money.

None of us care for it between preamp and source. It's OK but JWM and I prefer Siltech and my brother really likes Cardas Gold. Ref.