Are there any constants in speaker wire designs?


I've been looking at different speaker wires and the different designs and am wondering if anyone has listened to enough different speaker wires to know if there are any constants. Is there any "signature" sound that goes with similar designs? For example, does a four or eight wire braided (think Kimbel) have a particular sound quality compared to a basic two strand wire?

It seems that there should be some similarities amoung cables of similar design. The number of strands, braided vs. straight, gage, etc...

If there wasn't some truth to this it would mean that speaker wire designs are just random configurations.

Any thoughts?
mceljo

Showing 4 responses by mjordanas

Elizabeth, that is untrue. Van den Hul The THIRD speaker cable conductor is made purely form Carbon fibre, and thats not metal.

While speaker cable designs can possibly be RANDOM, I believe in these constants that fit my taste and system: separated and insulated strands (#1 to avoid strand jumping) of very thin (#2 this gives "speed" to the sound, better controls speaker drivers) silver plated copper (#3 IMHO this blends all the best from copper and silver) wires.

Everything is IMHO, to my taste, and within my system.

Kijanki, what Nordost cable line you are refering to? I know very well Nordost Heimdal IC and Nordost Frey IC, & Nordost middle line SC I can honestly say that your adjectives does not belong to Nordost.

Heimdal, for instance, will give lots of warmth, and bloom to vocals, while Frey blends warmth, transparency, details, and complete sound from top to bottom, while keeping everything mixed with musicality.

Before entering Nordost, i also expected fast, transparent, clinical sound (from Medical equipment company!) but I found the sound I was really searching for , and really was not expecting.

ps.: sibilance and harsh is gone once cables are really broken in.
PaperW8, not so long ago I was doing shootout of several power cords. When I put Kimber PK14 on a my DAC, all the music suddenly became sort of IN FOCUS. I can not find a better word to describe this. So it is not BS. And there is no equipment to measure "music focus". I know I could probably do this in blind test, but its so hard to organize this.. I mean, what go to other room and leave my wife to switch cables,do on/off/on all the quipment, etc..

Kijanki, that might be system dependant. I will only believe in "NORDOST is lean" stuff if at least 7 of 10 OWNERS would say so. In my system Nordost are FULL BODIED (quite an opposite ah?). Switching SC to 8TC makes me sleep, KCAG sometimes irritatingly "rings" and NORDOST.. they sound just right. And the reviewers... sometimes they have just not enought time, or not the most suitable equipment etc.. When I was buying nordost, I have read almost anything I could find, and now after couple years, when I really can say I know how the nordost house of sound looks like, I msut say, that there was one superb review in which reviewer NAILED IT DOWN right. But I forgot the link to it...
Kijanki, when talking about cables, I have also came across this: do two cables (branded, and a copy of it) which have identical L R C spec. will sound the same? I do not reject the idea that this only speculiation between these numbers, and their relationship between the system components AND the listener. All cables have different LRC, some manufactures give those numbers in their websites, so if someone just could make a copy of lets say Nordost Frey and compare them, that could make a significant step forward in this topic.

But when you overthink this again, then logic tells that there might be all variables involved - think about... shielding.. would be there a difference between two IC cables with same LRC BUT 0% and 95% shielding? And the list goes on..

>>Can this something be simply measured by relation >>between R, L and C.