AntiSkate-crooked Cantilever correlation?


This has been something that has been on my mind for some time now. I note how many forumites here typically now use little, to no anti-skate.

And, I've often wondered is anti-skate, or a lack of, is a possible cause to cantilevers eventually becoming cockeyed over time?

Common sense tells me, if a Stylus is "fighting" to stay in the groove, while the Arm wishes to pull one way, or another, that this might not be good for Cantilever "health"?

I would like hearing others thoughts of this topic? Thanks, Mark
markd51

Showing 2 responses by markd51

I asked these questions, not because I'm having any issues, nor any friend I communicate with, but I'd like getting more input, and advice, to perhaps avoid any future problems, like cocked Cantilevers, due to taking some ill advice.

I myself personally try going to great lengths, both visually, and with test records, LPs, my ears, and perhaps as well, a 6th sense, to tell me, everything is as good as it csn be per given equipment.

My reasoning is, that yes, a Anti-skate device on a tonearm can never be correct, especially, at different points on a record, but I'd rather be somewhat reasonable close, rather than drastically off with such adjustments. mark
Thank you gentlemen for all your responses. To answer Mmakshak's question, no, I have no cantilever canting on any of my Cartridges, and of course would like keeping them that way, hence my interest, and my questions.

while I'm not a newcomer to vinyl, I would say I'm a relative newcomer to learning some of the technicalities of extracting uncompromising vinyl reproduction, and while I understand the media, or the hardware can never be a totally perfect proposition, I reckon we here, all strive to extract the very best our rigs-vinyl have to offer.

For years, I relied upon test records, years ago, it was the Shure, with its torture tracks, and commonly used the blank tracks at various points upon the record to at least get some "basis" for which I felt this was "better than nothing".

But, over recent years, I have come to understand that this is not correct? At least not for final fine tuning of AS, but perhaps is at least a good starting point?

I assume there are many forces at work as the tiny Stylus tries to do its job, and if one would notice breakup of test tones-torture tracks in one channel first, I would then again assume, that the Stylus is not seeing equal pressure load on one of the groove walls. Is this correct?

Are torture test tracks still a sufficient/sensible way to more quickly attain correct AS? Or do I need to take it even further? TIA, Mark