As far as modern classical music, I am referring to the new stuff - not the early to mid 20th century stuff. I enjoy and can relate to Copland - I enjoy John William's compositions for different movies and other composers. I even like some of the new stuff that sounds like it came from outer space (unfortunately, I can't relate since I'm living here on earth), and therein lies the rub. I could / can relate to Beethoven's pain, darkness, and triumph.
I know there is value in modern music, and I have no doubt that they each have structure for their music. I might give it a better effort. I really have not given it a fair shot since I don't listen enough to really see if I can connect.
But am I the only one who feels that everything has been exhausted by the previous composers, and that's why the modern composers have to make weird patterns and harmonies and keys just to do something different? They can't just use the circle of 5th's and relative minor/major. They have to venture way out there to come up with something original, but do they go so far out that they lose their audience? What other choice do they have?
As a piano player once told me, we need a renaissance of the arts.
Rob
I know there is value in modern music, and I have no doubt that they each have structure for their music. I might give it a better effort. I really have not given it a fair shot since I don't listen enough to really see if I can connect.
But am I the only one who feels that everything has been exhausted by the previous composers, and that's why the modern composers have to make weird patterns and harmonies and keys just to do something different? They can't just use the circle of 5th's and relative minor/major. They have to venture way out there to come up with something original, but do they go so far out that they lose their audience? What other choice do they have?
As a piano player once told me, we need a renaissance of the arts.
Rob