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A new phono stage

Soliciting feedback on phono stages. I know, the best way is to audition each candidate in my system, but this is difficult where I live.

I'm presently using a highly modified Counterpoint SA-5.1 for the phono stage, into Lamm L2 preamp, Counterpoint SA-20 amp, and Alon Circe speakers. The source is a Micro Seiki RX1500 / SME 3012R / Shelter 901. I want to replace the SA-5.1 with a dedicated phono stage and use the 5.1 in my second system.

My criteria:
- tube or ss is ok
- highly reliable (prefer less tubes to more)
- very low noise
- remote control NOT necessary
- multiple inputs NOT necessary
- signal purity preferred to convenience (while I recognize the convenience of front panel adjustable loading, I am willing to remove the cover and insert a resistor myself for the sake of signal purity).
- > 60dB gain, prefer w/o mc step-up transformer (*this is difficult!)

My list of candidates:
Lamm LP2, Pass Xono, TE Groove or Micro Groove, EAR 834P (with Thoerston parts and circuit modification). I realize that all of these do not meet all of my criteria.

can anyone with direct exposure to these units share their experience? Even better if you have compared units in a controlled setting.
skushino

Showing 1 response by jtinn

jtinn
1,124 posts
 
I totally agree with Cincy_Bob. Out of the choices you have mentioned, I would recommend the LP2 Deluxe.

While the LP2 Deluxe is wonderful, it lacks flexibility. The Manley, which I sell, has the ability to change loading, gain and impedance all on the fly. It is beautiful sounding with great foundation and grip while being very delicate at the same time. While it might lean slightly toward the warm side, the sound can easily be tailored by a change of tubes. It is my favorite all around phono stage.

The other benefit the Steelhead has is it's ability to run directly into your amplifier. You might prefer running it without the L2 Reference preamplifier and if so, you might save a bunch of money.

Direct comparisons between the LP2 Deluxe and the Steelhead had both equally as quiet. The Manley was airier on top. The LAMM was a bit more neutral before swapping tubes on the Steelhead. Both have incredible bass resolution and control.
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