12" 45 RPM records: What's the story?


What's the advantage of producing these? If there is one, why aren't they all 45RPM?
pawlowski6132
Shadorne...A heavily modulated (loud) groove will always affect adjacent grooves, before and after, throughout the LP. It is always audible during the silent (supposedly) first groove of a cut but is masked by the music at other times (but is still there as "noise").

If you have an LP of Beethoven's fifth, that would be a good one to check for pre-echo. It begins with loud chords.
I think that pre-echo is ever present. A low noise system will unveil it. I have been listening more for it lately and have heard both on lps and cds. I maybe that good practices with the magnetic tape and important. As yet I have not heard it on any sacd.
Tbg...You really don't need a "low noise system" to hear pre-echo on the first grooves of an LP. But, for the rest of the LP the program material (which for purposes of hearing pre-echo) might be considered as "noise" will make it impossible to hear. But it is still there, which ought to give the vinyl perfectionists fits.

Pre-echo on a CD is hard to understand, unless the CD was remastered from a vinyl recording. Certainly any digital master tapes would not have this problem. If there were pre-echo from print through of a mag tape, this could easily be edited out when the CD data file was created.

Can you cite a CD with pre-echo so that I (we) can check this out?
I think all "pre-echo" is just due to analog mastertape print-through. And as Eldartford points out would not happen in digital recording (either tape or hard drive.)

I never EVER heard of one groove affecting an adjoining groove. Even if the vinyl did expand/contract/deform slightly in manufacture, it could not do so with any degree of correspondence to actual groove modulations. In fact, RCA Dynagroove records (which have other problems ;--) do not suffer from this alleged effect, and if any records should, it would be Dynagrooves because the whole idea was to pack the grooves tighter together.
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If there were pre-echo from print through of a mag tape, this could easily be edited out when the CD data file was created.
Eldartford, how would one go about eliminating pre-echo/print thru not just before the first notes, but the entire album during a transfer from analog to digital formats?