Phase Coherence or Time Alignment: Which More Imp?


This thread is really a follow on from a prior one that I let lapse. Thanks to everyone who contributed and helped me to better understand the importance of crossover design in building a loudspeaker. What I gathered from the last thread that there are opposing camps with different philosophies in crossover design. Leaving aside for a moment those that champion steep slope designs, my question is for those who have experience with speakers that are time aligned and/or phase coherent (using 1st order 6db per octave crossovers). Which is more important, phase coherence or time alignment? In other words, which more strongly influences the sound and performance of a loudspeaker? The reason I ask is because of the four speaker lines currently on my shortlist of floorstanders, three are either phase coherent or time aligned or both. The Wilson Benesch Curve's/ACT's and the Fried Studio 7 use 1st order crossovers but do not time align the drivers through the use of a slanted baffle. The Vandersteen 5's and the Quatro's both time align the drivers and use 1st order crossovers. I guess what I am asking is do you need to do both or is the real benefit in the crossover design? I'd appreciate your views.
BTW the other speaker is the Proac D25 and D38
dodgealum
Two things really, Suits me. Fried yelled at me constantly about THIEL speakers and their damnable first order crossovers. He did not use a straight 6db per octave crossover as proven on his archived information which I would be glad to send to you.
Second, I am sure, and I apologize that I misspoke about the Patent--what I should have said is, if there are any active patents on first orders, (the subject here) they are not being inforced, due to the issues you chose not to read.
Let's be friends, in the spirit of Bud, one of the industry giants. His spirit is alive in all of his products, that's for sure. And boy did he hate a true first order. My wife would laugh at me, as I would hold the phone away from my ear, as he would yell about the 'evil' of that kind of crossover. "They don't work, Goddamnit", as I recall. He was a hoot, who I will surely miss.
Friends, I hope...
BTW he used a first order on the bass, and a third on the mid treble, as I recall.
In response to the above, in Richard Hardesty's "Audio Perfectionist Journal Watchdog list," a letter was posted by Bud Fried that was aimed at JA in Stereophile for stating that time and phase were unimportant. He went own with an explanation and then concluded by saying "I think someday ALL speakers will be time and phase coherent." I don't remember wether it was actually published or not but it does seem to be in direct contrast to the statemnt(s) made above. Now, did he have a change of heart in his old age, was he BS'ing JA or what's the deal here?
At any rate, it's nice to know that Richard Vandersteen is a second rate designer of time and phase coherent speakers. I feel somewhat disappointed that I and hundreds of thousands of others have put up with a rolled off speaker lacking in resolution and of questionable design. I guess I could call him tomorrow and ask for my money back. Of course he then would ask why and I would have to tell him that based on Jeff Joseph and some other fellow who has speakers coming out are the only ones who know how to make a speaker correctly. He would then ask where I saw this and I would say on 'Audiogon." When he got through laughing, he would probably tell me to kiss his ass!
My exact comments regarding my opinion of Vandersteen was, that, " I say they sound rather neutral and pleasant."
As far as coherence, the initial thought of the discussion, has been lost. It had to do with Suits Me stating that "then says he likes Fried speakers, which are first order."
If one goes to Frieds stated work and crossovers on certain products, which I just referenced tonight, he used 3 db per octave slopes on the woofer, then 18 db per octave, which is third order cross over on mids and tweets.
This has turned into a hornets nest of confusion, for which I can take some credit probably. But Fried, most definitely was NOT a proponent of true first order networks as described as 6 db per octave, the proof of which is listed with his archival work, and my personal conversations with him, in which he found that to be unacceptable, in the design of loudspeakers.
I have nothing but profound respect for Rich Vandersteen, and what was said in my quote was by someone I was with. Truthfully I probably shouldn't have repeated it, other than to point out that his speakers are NOT forward sounding as are the THIEL's.
The 'some guy' who has speakers coming to market is me, Larry Staples, who studied under Jim Thiel, and Albert Von Schweikert, and has 25 years invested in the industry.
It takes thick skin to take a stand on these, supposedly hobbiest friendly sites. If I offend anyone by recanting past experiences I am profoundly apologetic. I found Bud Fried to be passionate, and brilliant. He was a grad of Princeton as I recall, and a fantastic representative of the field of audio, as is Mr. Vandersteen.
We all have disperate ideas on what works in design. Nobody has all the answers. I am struggling to make my product come to market and only hope to have a fraction of the success that Bud and Rich Vandersteen, and Jim Thiel, as well as the others who have contributed so much.
My speakers are a tribute to design by listening, not intellectualizing what 'should work'. I voiced my product, making it sound as I personally think real music sounds like. Some will like it others won't. Be aware that I am only ATTEMPTING to add to the science and art of building speakers.
Please, no one, take offense at any misspoken words.

Best,
Larry R. Staples
LSA Group
President
I'm really having a great time watching the discourse in this thread!

Larry, I am happy to hear you were a friend of Bud's. I really do feel an emptyness in his absence. I am honored by all of which is being written about him here.

What I personally feel is Bud's greatest gift to us is his lifetime of continually improving the craft that so many of us (Jim Thiel, Jeff Joseph, Larry Staples, Richard Moddafieri, Ray Kimber) have immersed ourselves in with all of our hearts.

It is true that Bud was outspoken, opinionated, and could be downright ornery. However, for those capable of seeing the truth, he dedicated his life into laying the foundation which we all could build upon. He knew that life was finite, but also knew that the art/science would never cease. His hope was for us to learn from his life experience - all of the work, successes, mistakes, etc. to build upon his lessons learned so that we did not have to reivent the wheel. Seeing people ripped off by shamanism or BS would enrage him. If that ruffled feathers along the way, I can think of no higher compliment to pay the man. For those who he came to become fond of, there was boundless fun, humor, respect, generosity, and love.

While I believe and am invested in first order series crossovers, low Q drivers, transmission line loading of the bass and midrange drivers, and time alignment, who am I to say that another approach is not without merit? Again, there are so many fine sounding speakers, in many different flavors, that we can respect those who have faithfully dedicated themselves to the craft.
Trelja long time no write.
Yes, Bud was a legend, and old time, old fashioned, 'tell it like it is, kind of guy.
Last night when I started writing about how much I loved his speakers, (and owned the ALS30's, I think they were called though my heart was with the TL 50's at the outlandish cost of, I think $2500. in 1978) it was frankly before my techno awareness. So when I was properly upbraided for liking him, thinking his work and Jim's were (no pun) polar opposites, my memory kept telling me that he was not a first order guy.
Then when someone wrote that note about me liking him, I had to go, both to my memories of our many conversations, then to the archives, and research his work.
There, in what appears to be old Royal typewriter print,
gotta love the days before computers, was the description of his design. I mispoke, (it was after midnite and I was tired, 6db in the bass, though above I mistakenly said 3db,
anyway, then 18 db per octave in the mid/tweet crossover.
Heck, I should have remembered, as I mentioned above, he was a hoot. When the G2A(?) came out to good press, he would call me weekly and raise holy hell with me for selling THIEL's CS3. And his language, Hell I thought I knew all the words, he must have visited the Profanity 101 Classes at Princeton. HA!!! He was the most loveable curmudgen.
I remember a few years later seeing him in Chicago, the home of the Consumer Electronics Show for years; I saw him, and as I recall he had had heart bypass surgery--that must have been in 1986? I remember, when we shook hands, I was alarmed at how thin, and cold his hands were; but it did not alter his enthusiasm or excitement for life and audio.
I miss him already. God, what and influence. I, without being corney bow at the altar of he and Jim THIEL, Joseph Audio, (hence my shock and pleasure when he agreed with my thoughts on crossovers). My only shock was when someone took umbridge at his comment about THIEL. It was a complement to Jim's genius, and as is often the case on these hallowed threads, someone thought Joseph was being negative about him. Shame, because he was expressing true admiration, just noting his shared view of a design, certainly not Jim, another, later day legend.
And (long winded here), Jim Thiel, is just as wonderful a person to work for as one might imagine. Always gentle, and kind, and hard working, the true American dream--from a dirt floor garage start, to an international company.
Thanks for the memo, and kind words. The audio business is better for Bud, Jim, Rich Vandersteen, Joseph, Gayle Sanders, Roger West, and(another mentor) Albert Von Schweikert. Thanks for them and many I have forgotten.
(Oh God, how could I forget Peter Snell, one of Jim's good friends, who died at, I think 37--a genius snatched from audio all too soon.
God Bless Bud!!!