300b lovers


I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix

Showing 5 responses by donsachs

I have done every permutation and combination of ways to build this 300 PP circuit.  I originally started with high quality CCS and then went to LC coupling, which sounded more natural and musical to my ear, and then finally went to full transformer coupling.  As was stated above, this was impossible with off the shelf iron from even a very well know major European manufacturer.  Those ITs rang like a bell at 15K and up.  It took several iterations of custom design work in collaboration with Dave Geren at Cinemag to get it right.  Dave's easily make it down below 20 Hz and out past 30 KHz with no oscillation and no loading network needed.  We all have our taste, and all versions of the amp were wonderful, but there is magic in the final version that simply wasn't there with CCS or LC coupling.  A lack of solid state coloration and wonderful tonality and presentation of instruments to my ear.  The piano sounds like a piano, not a nice rendition of one.

We are in production after two years of prototyping.  Sounds like @atmasphere is early on their journey with a PP 300b.  Certainly far enough along to demonstrate a prototype at a show, much as we did in Seattle last summer.  It is undoubtedly a different topology than ours and I wish them well.  I am sure they will get their version to where they want it to be as we have with ours.  They will sound different of course due to the preferences of the designers.

@alexberger  Congratulations!  Lovely amplifier and you should be proud.  I hope it brings you many years of pleasure, until the bug hits to try yet a different circuit:)  I assure you, the addiction never ends!

Also, I am considering a build of Thomas Mayer's octal phono schematic with my own power supply choices.  One of those things I may eventually get around to....  You have probably looked at that schematic, but if not, perhaps google it

My only experience is two builds with passive RIAA.  They sounded good, but I have not experimented with the other type, sorry.

I rebuilt a number citation 1 preamps over the years for customers.  I didn't care much for the line stage section with the anode follower, and miles of wire and switches, but the phono section was among the best of the vintage gear.