New Omega E Mat from Perfect Path Technologies
Many of you own or have read of the highly-regarded PPT Omega E Mat, one of Tim Mrock’s revolutionary signal-enhancing accessories. Just prior to his untimely passing, Tim had finished developing a new generation of his Omega mat, soon to be available. Krissy Mrock has asked a few of us to introduce this new mat, here given the working title of The Double Omega.
In distinguishing the Double Omega, we know the original Omega, herein called the single, as a 7.5” by 10”, rather heavy and somewhat pliable mat, a bit more than 1/8” thick and with a vinyl-like feel. One face is glossy white, displaying the PPT logo and Omega name, while the other is black, smooth and magnetized. Sandwiched between these faces is the active material that causes components to reject the EMI that saturates everything in our surroundings. The Double Omega is much the same, with one important difference: the magnetized face has the finely-textured feel of around, say, 220-grit sandpaper. This texture, it is presumed, comprises yet a second active layer of EMI rejection. Presumed—because working details of the Double Omega are not well understood—better yet to know how to apply it.
With the understanding that the single Omega E mats generate field effects from both faces, mats have typically been placed under and over components and vertically over circuit breakers. How you apply the Double Omega will depend on best use and experimentation. In my case, I have removed two single mats, lying side-by-side, from the top of my large Wadia CDP and have replaced those with two Double Omegas. The Wadia is a one-box player that contains a pre-amp, so I wanted that second, strong field effect exerting downward as well as upward. I also have several singles placed underneath, just as before. Going straight to amps, this player is my only source, so I want it fully protected from EMI. Your priorities will differ.
As of this writing, I am only thirty-hours in on placing these Double Omegas, and I can already tell you they are powerful in their prevention of EMI within my digital source. Yet another veil has been lifted—all instruments and voices are even more sorted out in the aural space with new information heard within that space. There is much more decay heard against a new silence behind and between the musicians. I am already so pleased and excited about what the Double Omega E mats are doing. As Krissy told me, Tim was really stoked to have these new mats available. Rather than wait for the the fourteen-day window of improvement, I want to get this intro out so others can relay their experiences sooner.
Geoffkait - you have implied throughout this thread that quantum physics explains what is going on with the E-Mats. You've alluded to the WA Quantum Chips, for example, but you don't clearly state anything. You make jokes and act like everything is self-evident. If you think there is confusion regarding spintronics in audio electronics then please explain why. You seem to say the signal is a photon so case closed. But, as you know, electrons and photons interact. As the articles above point out: "Electronics is based on the manipulation of electrons and other charge carriers, but in addition to charge, electrons possess a property known as spin. When spin is manipulated with magnetic and electric fields, the result is a spin-polarized current that carries more information than is possible with charge alone." We know Tim uses graphene in his products and was using it with many different materials when he invented, or perhaps stumbled upon, his "secret sauce". The articles above, and many more, show graphene is at the center of spintronic research. |
Huh? I never implied directly that the eMats worked by quantum mechanics. I was only asking questions. WA Quantum Chips I assume contain quantum dots but am not 100%. The Intelligent Chip I’m 99.99% sure contains quantum dots. I was merely speculating. Graphene has many applications. It’s used in my tennis racquet for example. But that doesn’t mean eMats work by Spintronics which, if I understand correctly in quick search, is used in magnetic tape heads and quantum computing. It doesn’t make sense that current in audio systems “carries information” - it’s just current. The article is frankly suspicious, if you ask me. Lots of folks think electrons are the thing traveling rapidly in audio cables or that they are the signal but they’re not. Joke. Why did they two physicists work in a tiny little garage? Because they were quantum mechanics. Get it? |
We know Tim uses graphene in his products and was using it with many different materials when he invented, or perhaps stumbled upon, his "secret sauce"That explain a little bit better to myself why my "golden" shungite plates tweaks works so well.... Shungite is made of fullerene at high percentage the only natural source of fullerene I think or one of the only one … My "golden" shungite plate had one side with a thin copper tape that makes the plate more able to this "spintronics" ….I am no scientist but my tweaks make a so great audible difference for me that I want to understand... The cost of my "golden" plates are around 20 dollars each homemade... They are mainly put on the central electronical panel of my house, on the modem-router, and on the wall plugs etc My best... Important note: I dont suggest that my homemade tweaks are akin to the more refine product offered here at all...But the improvement is so much for me with my "golden" plates that a common denominator between products is a possibility...Graphene seems to be the link, or better said fullerene which is precisely the common denominator between Graphene and Shungite.... For entertainment here is an old article, one of the first, about that : https://www.nytimes.com/1992/07/10/us/nature-it-turns-out-made-a-molecule-long-before-people-did.htm... |
