Doug,
No problem with the splice so far. It hasn't moved.
Like Dan, I'm running the belt with a bit more tension than before, but not near the motorpod tipping point.
I also agree with the increase in micro-dynamics, as it dawned on me while listening to Stockhausen's orchestral piece, Inori (SWF Orchestra, DG). In this piece, Stockhausen created a "scale of dynamics" with 60 degrees, from almost silence to very loud (by varying the mixture of instruments and dynamic indications); there's also plenty of complex attacks and subtle resonances throughout to test the resolution of a system; and it's recorded with beautiful perspective in all dimensions. Plus, it's a great piece of music...
Cheers.
No problem with the splice so far. It hasn't moved.
Like Dan, I'm running the belt with a bit more tension than before, but not near the motorpod tipping point.
I also agree with the increase in micro-dynamics, as it dawned on me while listening to Stockhausen's orchestral piece, Inori (SWF Orchestra, DG). In this piece, Stockhausen created a "scale of dynamics" with 60 degrees, from almost silence to very loud (by varying the mixture of instruments and dynamic indications); there's also plenty of complex attacks and subtle resonances throughout to test the resolution of a system; and it's recorded with beautiful perspective in all dimensions. Plus, it's a great piece of music...
Cheers.