Transistor Preamp that sounds like a Tube Preamp?


You probably think I'm crazy, but with all the improvements in solid state, are there any transistor preamps that have the following characteristics I hear in tubes?

1. Fully fleshed out instrumental timbre and overtones?

1. Full, alive midrange with bloom, body and dimension?

2. The airy space and separation between instruments?

3. That realness and aliveness of tubes?

4. At a retail of around $6,000 or less?

I'm sure I'll be getting some clashing opinions on this....
saxo

Showing 9 responses by dcstep

Saxo asked:
"You probably think I'm crazy, but with all the improvements in solid state, are there any transistor preamps that have the following characteristics I hear in tubes?

1. Fully fleshed out instrumental timbre and overtones?

1. Full, alive midrange with bloom, body and dimension?

2. The airy space and separation between instruments?

3. That realness and aliveness of tubes?

4. At a retail of around $6,000 or less?"

Here's the criteria which the Jeff Rowland Design Group's Capri pre-amp meets:

1. Fully fleshed out instrumental timbre and overtones?

2. Full, alive midrange with bloom, body and dimension, if it's in the recording?

3. The airy space and separation between instruments?

4. That realness and aliveness of music?

5. At a retail of around $6,000 or less?
You're right Mariusz, the Capri has it all. (I never said it's "sterile"). However, sweet, clean, transparent and neutral are all very good descriptors, IMHO.

Is there something inconsistant with that assertion and me being a "nice guy and everything?"

Dave
Well, many of us think that good tube pre-amps are not superior to good SS pre-amps. I think SS gets a bad rap because bad SS tends to sound worse than bad tube equipment and at the lower end of the price scale both are pretty limited.

Dave
07-14-08: Mrtennis asked:
"is it possible that replacing capacitors and resistors from some solid state preamps can bring one closer to a "tube-like" presentation?"

Generally, no. You can make a cheaply built SS amp sound better by improving its parts, but it's best to start with an amp using high quality parts to begin with, made by a great designer that was trying to make the best possible sound.

If the designers goal was to make an amp that sounds "tube-like", stay away.

Dave
Tvad, exactly my point. Tube-like is a meaningless term, more likely used as a marketing term to capture the attention of the gullible. I wouldn't likely consider an amp so described by its designer because I'd think that he's chasing something other than accuracy, transparency and musical production.

Dave
Fla asked:
"But then again, am I wasting my time with a digital only front-end??"

I don't think so. The Marantz is very good at its price point, but there's much more to be gained, but at a cost.

I agree with your view toward upgrading speakers next, but after that you need to really consider upgrading your digital source.

As for going into vinyl, if you've already got a sizeable collection, then I say, "Go for it." I've got over 1000 LPs and got seriously back into vinyl a year or so ago; however, the addition of my Playback Designs MPS-5 has rendered my substantial CD collection almost totally marvelous. It's amazing how much better those Redbook CDs can sound it a top-echelon CD/SACD player.

Given a choice, vinyl used to be my first choice for a new recording purchase. Now, I'm pretty much indifferent, with SACD getting the nod, usually because they tend to cost less than top quality vinyl costs. The improvement in my CDs is through the roof with the PD.

Dave