The Truth about Modern Class D


All my amps right now are Class D. ICEpower in the living room, and NAD D 3020 in the bedroom.

I’ve had several audiophiles come to my home and not one has ever said "Oh, that sounds like Class D."

Having said this, if I could afford them AND had the room, I’d be tempted to switch for a pair of Ayre monoblocks or Conrad Johnson Premiere 12s and very little else.

I’m not religious about Class D. They sound great for me, low power, easy to hide, but if a lot of cash and the need to upgrade ever hits me, I could be persuaded.

The point: Good modern Class D amps just sound like really good amplifiers, with the usual speaker/source matching issues.

You don’t have to go that route, but it’s time we shrugged off the myths and descriptions of Class D that come right out of the 1980’s.
erik_squires

Showing 1 response by mdeblanc

I’ve had my Class D Cherry Amplifiers for a yr now and I’m extremely happy. I don’t ’hear’ anything that sounds like a bad-purchase, and I listen Friday / Saturday nights from like 8P to 2 or 3AM. Will I trade them some day? Probably, like I trade cars. But I do believe Class D’s time has not just ’come’ but is here to stay. My Cherries were preceded by a First Watt J2 which was preceded by a Yamamoto A-08S which was preceded by a long list of amps. For reference, my system to-date is as follows PS Audio DirectStream Memory Transport> PS Audio DirectStream DAC > Cherry Amp DTM 60V > Reference 3A MM de Capo BE.