The Harbeth phenomenon


In my search for a new pair of speakers, I've gone through many threads here and noticed that many owners or fans of Harbeth have almost a love-like connection with Harbeth speakers. It is almost as if the speakers cast a spell upon them. I know many audiophiles love their speakers but Harbeth owners seem especially enamored with theirs. I am extremely puzzled by this phenomenon because on paper Harbeth speakers look average at best and lack many of the attributes that generally make a great speaker.

Their sensitivity of generally around the 86dB mark makes them rather inefficient and therefore, at least in theory, not a good match for many lower powered tube amps, or any amps below 100wpc. Their frequency range is simply inferior to most high-end speakers since they don't go below 40 Hz. This alone should, again at least in theory, disqualify Harbeth speakers from consideration as top high end speakers. And yet I've never heard anyone complain about their bass, while people complain about lack of bass in the Gibbon Nines from DeVore, which is a fantastic speaker. Their cabinets look like a cheap DIY enclosure (disclaimer: I've never seen a Harbeth up close, only pictures). The 7ES-3 is rated B-Restricted, while the smaller and cheaper Usher Be-718 A-Restricted in Stereophile but garners nowhere near the same amount of admiration, praise and following among audiophiles.

So what's going on here? Is this a big conspiracy plot by the company that paid off a few hundred of people to infiltrate audiophile internet forums and a few reviewers? I am of course joking here, but the question is serious. How can speakers so average on paper be so good in real life? I know the opposite is often true, but you rarely see this phenomenon.

Please speak up.
actusreus

Showing 1 response by quanghuy147

@actusreus
I owned a pair of Harbeth 30.1 for 2 years, I fed them with 150watt/channel solid state amplifer.

I have to admit that the mid-range is very very pleasant , absolutely non-fatiguing. However, 30.1s tends to put a "Harbeth signature" on every records. I mean 30.1s makes all songs have the same pleasant signature. If I listened for a long time, it’s very easy to get bored.

A big issue with 30.1s is bass section. In my setup, I found they failed to reproduce the texture and strength of plucking in double bass when listen to jazz.

Other problems I don’t want to go into details are small sound stage, slow speed and amp-unfriendly.

A good thing about Harbeth 30.1 (and other Harbeths, I guess) is when you buy a used Harbeth pair, then you decide to sell them in 1-2 years, they can keep the value (in dollars) extremely well. I guess because Harbeth name is so famou in US. Everyone is willing to buy it without audition on used market.

In my case, I was lucky to make $150 profit after selling them (since I bought the pair from Germany, where Harbeth speakers are much cheaper than in US).

Devore Nines is the pair I bought after selling 30.1. Nines don’t sound as pleasant as Harbeth but still non-fatiguing and very enjoyable. In short, they solve all the problem I have with 30.1s. They have their sound signature but not as strong as Harbeth.

To me, Devore Nines do a great job in balancing details and musicality.

In conclusion, if you are going to buy Harbeth, please audition (the same for Devore and other brands).

Best,
Huy.