Tekton Design Lore


Category: Speakers

I have owned a pair of Tekton Design Lores for over a month now. To cut to the chase, these are astoundingly good speakers for the money - as in, at $1,000 a pair, perhaps the best value in audiophile speakers I can think of.

The speaker is a bass-reflex floor-stander using some type of pro-audio-source 10" wideband driver (Eminence, I think) with a soft-dome tweeter. I don't recall the frequency-response specs offhand (more later) but, as would be expected from the design, it is in the "high-efficiency" category with a specified sensitivity 98 dB/W/m.

The speaker is very balanced, dynamic, coherent, and has excellent tone. There - that's the summary. In fact, I have around 25x their cost worth of source & electronics in front of them (retail price - not what I paid) and if I had to I could live with them as my last speaker in anything other than a huge room. I think this is due in part to how good they are and also in part to how good really good gear can sound through even modest speakers.

I suppose I need dissect the speakers sonically, as reviews do. Starting with the bass, the low-end is surprisingly extended AND tight. When I saw a picture of the Lore with the two very large bass ports, I admit the first thought I had was that this was going to be a one-note-bass speaker - not at all. And I have them only about 6" from the front wall (in a 16x20 room, with two large openings). The bass pitch definition is very good! I can follow jazz bass lines very easily. For rock, there is just "about" enough reach, but the sound is just a bit light (in this room). Of course, that is absolutely no surprise at all - for rock in my opinion you really need a -3 dB point around 30 Hz or better to get all the music. I would estimate the speaker's in-room -3 dB point to be in the 35-40 Hz range.

Of course, tuning a speaker for bass reach is a matter of math: driver parameters, cabinet type & size, cabinet tuning. I have only a rudimentary understanding of those things but I will say that the designer of this speaker made some very good decisions.

The midrange is very, very good, with the coherence one expects from a widebander but also the lack of peakiness that's still fairly rare. The Zu speakers share this same flat frequency response and very full tonality (and of course use a similar driver). In fact, I do think the Lore sounds quite a bit like the Zu speakers in the midrange. The overall tonal balance is a bit on the warm side.

I was expecting the excellent midrange but not necessarily the very impressive bass performance of this speaker. I also was not necessarily expecting to be as pleased with the treble as I am: it is *very* well-integrated, and delicate, with good extension but never sounding brash. I have to say I prefer the treble integration and overall sonics (certainly possibly just a matter of preference) over that of Zu (I have owned Druid & Definition Mk 2).

Of course the speaker also has the dynamics you'd expect from the design. It's quite dynamic, especially considering the size & driver complement. However, a design with, say, two 10" wideband drivers is quite a bit more dynamic!

What's most important is the overall flavor of a speaker, and this one is almost perfectly balanced and easy to listen to yet does excel in areas like detail and dynamics as well.

I am "between" main speakers now, but, honestly, this speaker is so freaking good - in absolute terms, not just "for the money" - I could live with it for good. In fact, it is seriously making me wonder what the point of far more expensive speakers is. (Please don't judge that statement harshly unless you've heard them!)
paulfolbrecht

Showing 2 responses by snapsc

I'd like to weigh in on running the Lores with solid state and what might sound good for $1500 or less.  I've had the Lores for 5 years now.  My amps have included the Crown XLS2000, Nuprime STA9 and the current amp is the Parasound Halo A23.  My current preamp is a Parasound 2100 but I've used a Nuprime DAC9.  My current source is an Oppo 103.  The combination of the Oppo into the 2100 into the Halo A23 into the Lores produces a massive soundstage...wide and deep with great tone and good balance top to bottom. 

Very much room dependant, the Lores seem to sound best when out from a rear wall by 2-3 feet.  Like any good loudspeaker, they can sound bright or thin depending on placement.  And like any good loudspeaker, they will sound better as you feed them with better electronics.  And, if you have a really big room, say 5000+ cubic feet, you need a sub for 50hz and below.

Here is just one thought about how to spend $1100 for great sound that will cost you minimum depreciation when you are ready to move up.  The two links below are for the Parasound equipment I'm currently using...these are not my links but I can vouch for the sound and as I said, when the time comes, the resale loss will be minimal.

https://www.audiogon.com/listings/lis8f4b4-parasound-2100-classic-phono

https://www.audiogon.com/listings/lis8g24d-parasound-halo-a23-stereo-power-amplifier-a-23-11876-soli...

and if you want to spend a little more for an even better preamp...

https://www.audiogon.com/listings/lis8fj23-parasound-halo-p-5-solid-state




Just a further thought...the Lore hasn't had a lot of "formal" reviews...but this one just popped up a few weeks ago.

http://wallofsound.ca/audioreviews/tekton-design-lore-2-0-loudspeaker/

Tim Smith does a pretty nice job describing the Lores strengths and weaknesses (which he notes aren't many).  He used quite a few mid to high end amps during his review and not unexpectedly, the Lores allowed him to hear the differences in the amps.

The biggest risk using a $500 reciever with the Lores poorly placed in the room is that the sound may be a little brittle...but then again, its not the Lores, they are just revealing the truth about the amp and the placement.