TECHNICS SL1200 MKII.......THE REAL FACTS


I have been a very active participant in this hobby for many years (going on 30). I have owned amplifiers by B&K, Marantz, Forte, VanAlstine, Accuphase, GAS, Onkyo Grand Integra, Musical Fidelity.....Speakers by Thiel, Energy, Genesis, Vandersteen, PSB, Definitive Tech, KEF, Mission, B&W....Turntables by Sota, Rega, Linn, AR, Thorens, Dual, and yes; Technics. I have a Technics SL1200 MKII which I have had for a few years now. It has been modified in the following ways (all mods based on trial and error and final listening results):
-TT Weights 454 record weight
-XPM1 Acrylic mat with 1/4" heavy Technics rubber mat underneath
-Steel plinth cover (chrome finish). I cannot explain why, but the background is more quiet and micro dynamics are better with this in place.
-Armtube stuffed loosely with cotton.
-Heat shrink tubing on outside of arm tube.
-Stock headshell replaced with Sumiko with Sumiko headshell wires (do NOT underestimate what headshell quality can do with these things).
-Plugs on the stock cables replaced with better plugs: Vampire OFC RCA plugs.
-Bearings adjusted for minimal play with minimal friction.
-KAB Power Supply added

Now, this is the scoop. I do not want a Technics turntable. I am an audio snob. I want only salon approved brands; period. That is why this situation sucks dog. Out of all the turntables I have owned. This Technics with this combination of mods has the blackest background, the best dynamics, the most detail, the clearest stage, the most pace and timing and overall just simply plays the song in the least-confused manner of ANY turntable I have ever owned. In many ways it makes every other turntable I have ever owned sound like Amateur Night in sonic comparisons. Facts are facts. The Technics SL1200 MKII, when properly tweeked, is one serious LP playback unit. At least the chrome plated steel plinth cover covers up the name.
audiomaster1967

Showing 8 responses by dave_72

I dunno, I like my 1210M5G as is, bone stock without tweeks. It sounds great to me. The secret imo, is the quality of the cartridge. I'm running a Audio-Technica AT150MLX MM cart, and it's pretty damn good.
Well, I say leave well enough alone. How much improvement do these tweaks really give you in performance?
I can believe that. I really feel there's nothing wrong with my M5G with the A-T 150MLX cart. For $900, which is what I paid for both the cart and 'table, it's a bargain, imo. I would probably have to at least pay twice as much to eek out better performance. And will that performance be head and shoulders of what I already have? I'm thinking maybe, maybe not...
I very much agree with your views on direct drive. I disagree with your view on the uber high end. Yes, it is expensive and probably overpriced. But some of it is actually really good stuff. It just depends on the manufacturer, the engineering, and the type of people that run the operations. Imo, the really good companies do not indulge in the snake oil business. It's true there's a lot of dubious marketing involved, but it's up to the consumer to see through that. And as you said, "it's your money." The point is to be happy and put together a system that brings forth a very satisfying musical experience!
As to high end, I totally understand why many may be enamored by it and as long as it's money one can afford to spend it's ok! I believe in the value to cost ideals though. I do not buy low end junk but I also do not see the value in the diminishing returns that uber high end gives in terms of performance over the multitude of quality gear at lower prices. Of course as audio jewelry of uber high end, well that's another discussion on said value or lack there may be.

The audiophoolery stuff though abounds in this hobby/adventure. I hate the snake oil crap that succeeds in taking money from otherwise regular peoples pockets. I have fallen even slightly for some of this snake oil crap. I've learned my lesson on it all.

I understand. Again, there's some of the uber high end that is head and shoulders sound wise above less expensive units. Not all of it falls into the diminishing returns camp. Is it still overpriced? Probably, but most of audio is that way, and the resale value isn't that great save a few select brands. But, you get what you pay for, imo. On the other hand, I am not adverse to good bang for the buck stuff. That certainly has its merits too. It all boils down to what you are looking for, and what can you get out of it to have a true satisfying emotional and musical experience.

I don't care for snake oil either. I'm not into crazy off the wall tweaks and such. However, I do believe that good quality cables make a difference. That has been a long running debate for at least 30 years now. I base my judgements by my experiments in my own system as well as others. I use excellent cables now, which were not cheap, and I use to have the dirt cheap stuff. And in my opinion, the current cables I now use succeed over the cheaper brands I formerly used. I did hear a noticeable difference; it wasn't subtle.
Even so I'll never sell it. It's become an icon.

Same here. And due to the fact they're not manufactured anymore, makes keeping it a no-brainer...
If you haven't heard the 1200 with a higher end MM cartridge (at least $200-$300) you're in for a treat. I had a less expensive cartridge on there, and it was pretty good, but when I upgraded the cart, now it's really, really good! :D