Stylus Rake Angle


I am trying to set up my new VPI 3D arm as close to perfection as I can. On the Analog Planet, Michael Fremer gives one opinion, however, a different opinion was voiced by Harry at VPI, and Peter at Soundmith. I've been discussing this with them....Fremer says that SRA should be adjusted even if the back end of the arm is WAY high up as needed, whereas Harry, and Peter said to start with the arm in a horizontal position and move it slightly up and down to find the sweet spot. Peter said that my cartridge (Benz LPS) and some others have an additional facet in the diamond so bringing the arm up in back would be exaggerating the proper SRA. When I wrote back to Fremer, he answered with an insistance that he was correct. Does anyone want to add to the confusion??
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Showing 2 responses by rockitman

All this precision done on one record, then you play the next, it will be off, even if it's the same record weight...Tonearm mfg'r need to include spirit levels at their pivot to ensure sra consistency from record to record. Graham has got it right.
Jcarr said:
At the same time, many classical orchestral works have their most dynamic climaxes at the very end of the LP, where distortion is highest and upper frequency response most suppressed.

That is why the Classic Records RCA reissues in 4 single sided LP's are so good. You stay far away from the dreaded label, besides the other benefits of 45 rpm vs 33.